20k monthly listeners and more than 800k streams on Spotify, KENO's music has reached in 2020. After 7 years of experience as a producer, mixing and mastering engineer, as well as a rapper, songwriter and editor, the number is growing. Style: Multigenre with powerful, emotional productions/mixings/masterings. TrapCity Artist with "Money Eating" '21
During the time from the start of music production, I have worked with many talented musicians. Partly as a support to polish the tracks, sometimes in collaborations for a joint release, as well as writing a song, its arrangement and lyrics.
With an experience of now more than 7 years in music production, I have gained experience in many genres, catapulting their tracks and buzz to the next level to play along with the big ones. I dedicate my audio technical specializations to the following genres in the game: modern dance music (EDM); hybrid trap, dubstep, progressive house, future house, future bass, electro, future pop, pop, trap and hip hop.
Your unclear lead sound and your muddy bassline, as well as your drums, FX and vocals - I'll bring in the sum to a next level.
With my workflow and methods to go into the smallest detail, I will manage, together with you, adapting your song to your favorite hit record and bring out the best that is possible.
Constructive criticism, both positive and negative, is more than welcome. We will not stop working and communicating until we get the sound you want, count on it!
What are you waiting for? Send me a message! :-)
Contact me through the green button above and let's get to work.
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Interview with KENO
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Production and writing on "Newclaess - Open Roads" at a writing session, together with super talented artists. Go check it out on Spotify!
Q: What are you working on at the moment?
A: As an artist: on a Deep/Future House kind of song with 115 BPM with a beautiful female voice on it. I'll keep you updated when it's released. As an engineer: on a Future Rave project.
Q: Analog or digital and why?
A: Digital. Because It's the sound of today. But a subtle mixture of both is in my opinion also nice - as summing or through out a nice outboard piece of gear.
Q: What's your 'promise' to your clients?
A: You'll compete with the big ones.
Q: What do you like most about your job?
A: The diversity, freedom and styles. You can make whatever you want as soon as you like it. Like Joel said once: If you make music just for one fan - it's probably worth it. And that's the truth.
Q: What questions do customers most commonly ask you? What's your answer?
A: Damn, how did you do that? -> Well, eeehm...
Q: What's the biggest misconception about what you do?
A: That the bass is too heavy lol.
Q: What questions do you ask prospective clients?
A: Who is your biggest inspiration regarding sound? Aha. Where do you want to be? Any references which I can check? -> Aight. Let's do this.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Still, I am not that popular in the main music industry as an artist yet, but trust me - behind some professional hit record productions and masterings there is someone sitting who you have never heard of.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: MacBook, Headphones, UAD Interface, Dockingstation and my Licences^^
Q: What was your career path? How long have you been doing this?
A: Started when I was 14 years old with rap. Found the love for Housemusic when I was 16. Started DJing when I was 17. Started producing when I was 21 y/o. Dancing also has always been a part of my life since I can walk.
Q: How would you describe your style?
A: Powerful, Punchy.
Q: Which artist would you like to work with and why?
A: DJ Snake and Diplo, because they are multigenre active and not afraid to switch styles. From Techhouse to HipHop, Trap and back to Moombahton and Reggaeton.
Q: Can you share one music production tip?
A: The snare is too loud.
Q: What type of music do you usually work on?
A: Multigenre. It depends on my mood if we are talking about my own stuff.
Q: What's your strongest skill?
A: Production, Mixing and Mastering.
Q: What do you bring to a song?
A: Life. But sometimes no life is needed, but punch and loudness in the Drop ;-)
Q: What's your typical work process?
A: Communication; first impression about the song the client sends (technically) making notes within the first listen. Arranging and routing everything in a new mixing session -> leh go!
Q: Tell us about your studio setup.
A: Confidental. ;-)
Q: What other musicians or music production professionals inspire you?
A: Artists: Dua Lipa, Drake, Travis Scott, NGHTMRE, Diplo, DJ Snake, Lil Nas X, J Balvin, Capital Bra, Bushido, RIN, Dillon Francis, Vize, Zedd, etc. Mixing/ Mastering Engineers: Luca Pretolesi, Mike Dean, Dave Pensado.
Q: Describe the most common type of work you do for your clients.
A: Mixing and Masterings for EDM and HipHop/Trap, Dance Pop.
I was the Producer and Mixing Mastering Engineer in this production
- ProducerAverage price - $450 per song
- Mixing EngineerAverage price - $400 per song
- Mastering EngineerAverage price - $100 per song
- Beat MakerAverage price - $200 per song
- RemixingAverage price - $500 per song
- Ghost ProducerAverage price - $1000 per song
- EditingContact for pricing
3-7 days processing time. Two revisions are at no additional cost for my mixings, masterings and productions. Ghostproductions/productions & production ideas by me at 50% on master writing rights.
- MAC
- UE11
- Neumann KH420s
- NS10s
- Apollo 8
- Apollo X4
- UAD
- Slate
- Shure SM7B
- TLM103
- Slate ML
- Mastering Outboard
- I’ve released a new tune!Feb 22, 2021
„Como estas“ is out now on all streaming platforms!
Check it out and let me know what you think <3
Spotify Link - NEW SONG ON SPOTIFY <3Feb 17, 2021
A new collaboration with Svniivan is out now on Spotify - check it out! We made it on Trap City <3
MONEY EATING ON SPOTIFY
