Indie Vocalist and Songwriter

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: There isn’t just one project I’m proud of, but if I had to choose one, I would highlight a long-term collaboration that has evolved significantly over the past year and a half. I initially started working with this client on songs he had already written and developed. As we worked together, he gradually gave me more creative freedom to reimagine those songs. I began creating new vocal arrangements, rewriting lyrics, reshaping structures, and eventually contributing musical arrangements as well. He really connected with the perspective I was bringing to these reimagined versions, and that trust opened the door to something much bigger. Eventually, he asked me to start creating original songs from scratch, rather than working only with pre-existing material. That became the next stage of our collaboration, where my role expanded into songwriting, composition, and vocal performance. I was writing the lyrics, creating the melodies and arrangements, and recording the vocals as part of the original creative process. What makes me especially proud of this project is seeing how the collaboration evolved simply because the artist trusted my creative perspective and wanted to explore what I could bring to the music. We’ve developed multiple songs together over the past year and a half, and it has been an incredibly rewarding experience. My role throughout this project has primarily been as a songwriter, composer, and vocalist, but what I value most is that it became a space where I could genuinely bring my own artistic perspective into someone else’s vision.

Q: What's your 'promise' to your clients?

A: My promise to my clients is to provide a high-quality, professional experience built on clarity, communication, and trust. I want every client to feel confident about who they’re working with, what to expect from the process, and where their project is headed. For me, that means being clear from the beginning, understanding their needs and vision, and delivering work that meets a high professional standard and brings real value to the project. Ultimately, I want my clients to feel that their music is in good hands — both creatively and professionally.

Q: What are you working on at the moment?

A: Right now, I’m working on my first EP as an artist, which I’m planning to release next year. I’m currently deep in the songwriting and production process, and a big part of it has been discovering my sound and understanding more clearly what I want to express as an artist. Interestingly, every project I work on with other artists also teaches me something about my own music. It gives me new perspectives on songwriting, production, vocal choices, and the way I approach creative decisions. So, while I’m working on my own EP, I’m also constantly learning from every project I’m part of and finding new ways to understand and develop my own sound.

Q: Analog or digital and why?

A: I’d say I’m somewhere in between. Most of my current workflow is digital, simply because it gives me a lot of flexibility, precision, and creative possibilities. But I don’t think digital and analog should be seen as opposing approaches. They each bring something different to the creative process. There’s something very natural and organic about the character of analog sound, while digital tools can offer an incredible level of control and versatility. Even when digital tools are designed to recreate the feel of something real, there is still a particular character to working with the actual thing. For me, the most interesting approach is finding the right balance between both. I like having access to the possibilities of digital production while still appreciating the character and imperfections that analog tools can bring. Ultimately, I think the best choice depends on what the song needs and what kind of experience you want to create.

Q: What do you like most about your job?

A: What I enjoy most about my work is the trust people place in me when they invite me to be part of their projects. There’s something incredibly rewarding about being trusted with someone else’s creative vision and having the opportunity to take it somewhere new or help it reach a different level. I believe every song deserves to be approached in its own way, because every project has its own story, identity, and emotional world. I really enjoy sitting with a project, breaking it down, understanding what makes it unique, and finding the details that can help bring its vision to life. The deeper I get into a song, the more connected I feel to it, and that’s one of the things I value most about the process. I also love that, even when I’m working within someone else’s vision, I can still leave a part of my own creative and human perspective in the work. Being invited to contribute to someone’s music in that way is something I never take for granted.

Q: Can you share one music production tip?

A: One of my favorite production tips is: give yourself options when recording vocals. Even if you’re a very versatile singer and can deliver a great performance from beginning to end, I usually recommend recording in sections and capturing multiple takes. This gives you more material to work with when comping the lead vocal and, when appropriate, creating doubles, harmonies, and additional vocal textures. Those extra layers can give the producer much more flexibility during the production process. They can be edited, automated, layered, or used selectively to add depth and movement to the song. Of course, this doesn’t mean overproducing or recording endless layers just because you can. It should always depend on what the song needs and on the genre. But having a few intentional vocal textures available can give the production more possibilities and help the vocal feel deeper, wider, and more dynamic.

Q: What questions do customers most commonly ask you? What's your answer?

A: Clients often reach out to me for my perspective on the vocal and creative direction of their songs. Some of the questions I’m most commonly asked are: “Can you help me make the vocal more emotional or interesting?” I always start by understanding the emotion and intention behind the song, then work with tone, phrasing, dynamics, harmonies, and delivery to make the vocal serve the song as strongly as possible. “Can you suggest changes to the melody or vocal arrangement?” Yes, when appropriate. While my core work is vocal performance and vocal production, I’m happy to offer creative input on melodic adjustments, vocal arrangements, or harmonies when I hear an opportunity to make the song stronger. “What do you need from me before we start?” Usually, I ask for the song, a clear idea of what they’re looking for, and any references they have in mind. Understanding the artist’s vision and where the project currently stands allows me to approach the work with much more intention. I think this perspective comes naturally from working so closely with the voice and the song as a whole. My role isn’t to take over every aspect of a project, but to bring my experience and creative perspective to the areas where I can make the biggest difference. Ultimately, I want the vocal to feel authentic to the artist while serving the song as strongly as possible.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: Yes. I would absolutely recommend someone I know through SoundBetter: Sean Killeen. He is an incredible vocalist and a very respected vocal reference for many artists and professionals. I admire his work tremendously, and I’ve seen the level of dedication and care he brings to his projects. What I particularly appreciate is the experience he creates through his work. He is highly committed to delivering at a very high level, both creatively and professionally, and I think that really comes through in the way he works with people. I would recommend him without hesitation!

Q: What's the biggest misconception about what you do?

A: I think one of the biggest misconceptions is that a musician can hear a project and immediately know exactly what the artist envisions for it. For me, the most successful collaborations begin with a clear understanding of the project: where it is in the creative process, what the artist already has, what they want to achieve, and what they would like to explore or preserve. References are especially valuable because they help me understand the artistic perspective behind the project and the direction the artist is drawn to. Every artist has a different vision, and there is no single “right” way to approach a song. My role is to bring my experience and creative perspective to that vision, but I first need to understand what makes the project meaningful to the artist. I believe that this initial alignment creates a much more intentional and collaborative process, and ultimately allows me to deliver something that feels genuinely connected to the artist and their vision.

Q: What questions do you ask prospective clients?

A: When a client reaches out with a project, I usually start by asking a few questions to clearly understand their vision and what they want to achieve with the final result. I always ask if they have any artist or song references for the vocal style, tone, delivery, or overall direction they have in mind. References are very important to me because they help me understand the client’s perspective and translate their ideas into something specific and achievable. Depending on the project, I’ll also ask: * Do you need lead vocals only, or would you like a harmony arrangement as well? * Should the existing melody remain exactly as it is, or are you open to melodic adjustments or enhancements? * Are there any specific vocal characteristics, emotions, or production details you want to capture? * If songwriting or lyrics are involved, what story, theme, or message would you like the song to communicate? * Are there any specific elements you definitely want to keep or avoid? My goal is to have a clear picture of the artist’s vision before I start working, so I can make creative decisions that are aligned with what they’re looking for and deliver a final result that feels true to the project.

Q: What advice do you have for a customer looking to hire a provider like you?

A: My biggest advice would be to have a clear idea of what you’re looking for before starting a project. This can mean having a very specific vision and providing all the necessary references and materials, or, if you prefer to give the provider more creative freedom, being open about that from the beginning. The more clarity we have about the direction, expectations, references, and materials before starting, the smoother and more creative the process can be. I always want to make sure we’re aligned from the start so I can fully understand what the artist is looking for and bring my own experience and perspective into the project when appropriate. For me, the client’s experience is just as important as the final result. I want the collaboration to feel rewarding, clear, and enjoyable enough that, if the project is a good fit, we can hopefully continue creating together in the future!

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: If I could only take five pieces of gear to a desert island, I’d take 1. Mic Shure SM7dB, 2 Universal Audio Apollo Solo 3. MacBook Pro 4. Beyerdynamic DT 770 Pro headphones 5. An acoustic guitar

Q: What was your career path? How long have you been doing this?

A: After more than ten years working in music, I’ve had the opportunity to collaborate on a wide variety of projects with people from all over the world, both remotely and in person. One of the most rewarding parts of this experience has been working with people from different backgrounds and cultures, and learning how their perspectives and ways of working can come together with my own. Every collaboration brings a different creative process and often leads to results that neither of us would have reached individually. I’ve learned to approach every project as its own experience, because every artist has a unique vision of what they want their music to become. I genuinely enjoy being part of that process and helping shape and build the sound of a project while staying connected to the artist’s identity and intentions. This perspective has developed naturally through years of making music, collaborating, experimenting, and continuously learning. For me, that experience is what allows me to bring both technical knowledge and a genuinely collaborative approach to every project.

Q: How would you describe your style?

A: I’ve always described my own sound as “bubble grunge” style— essentially a softer, more expressive take on grunge. Vocally, my style tends to be gentle and intimate, but with a sense of attitude underneath it. Musically, I’m drawn to color, texture, and emotional expression, but I also like bringing a playful and slightly unpredictable side into my songwriting and production. I enjoy exploring the contrast between something atmospheric and contemplative and something fun, bold, or unexpected. Bringing those two sides together is what gives my music its particular character — expressive and textured, but still playful, with a sound that feels distinctly my own.

Q: Which artist would you like to work with and why?

A: One artist I would absolutely love to work with is Lizzy McAlpine. I find her approach to songwriting incredibly inspiring, particularly the way she combines structural, harmonic, and lyrical ideas to create songs that feel both intricate and emotionally natural. I really admire the perspective and intention behind her writing. There is always something new to discover in the way she approaches a song, and her ability to make complex musical ideas feel deeply personal is something I find extremely inspiring as a songwriter and producer. It would be amazing to have the opportunity to collaborate with her one day and exchange ideas, perspectives, and musical approaches.

Q: What type of music do you usually work on?

A: I primarily work with indie pop, bedroom pop and singer-songwriter I also have worked across styles on the other end of the spectrum, including EDM, soul, and jazz.

Q: What's your strongest skill?

A: My strongest skill is vocal performance and vocal production. I work across multiple genres, always focusing on what the song specifically needs — from interpretation, tone, and vocal color to harmonies, melodic choices, and detailed vocal arrangements. I approach each song individually rather than relying on a one-size-fits-all style. My goal is to make the vocal feel intentional and connected to the emotion and identity of the track. When needed, I can also contribute from a songwriting and composer perspective, suggesting melodic, lyrical, structural, or arrangement ideas that support the direction of the song and the client’s vision. This is an extended part of what I offer when the project calls for it.

Q: Tell us about your studio setup.

A: My studio is acoustically treated and professionally set up to provide a clean, controlled recording environment and high-quality vocal recordings. My go-to microphone is the Shure SM7dB, paired with a Focusrite Clarett 4Pre interface. I work entirely in Logic Pro, where I handle recording, vocal editing, tuning, production, composition and session preparation. My setup is designed to capture detailed, natural-sounding performances while giving me the flexibility to deliver polished, professional results across a variety of musical styles.

Q: What do you bring to a song?

A: I care a lot about making every song feel authentic. Whether I'm recording vocals or writing melodies and lyrics, I'm always thinking about what fits the artist instead of using the same approach every time. I like finding the details that make a song feel personal and memorable.

Q: What's your typical work process?

A: I like to start by understanding where the artist wants to take the song. If I'm recording vocals, I usually ask for references so I can understand the style, emotion and direction they're looking for. If I'm writing a topline or lyrics, I also ask for reference tracks and then explore beyond them to create something that feels original while staying true to the project's vision

Q: What other musicians or music production professionals inspire you?

A: I'm deeply inspired by artists like Phoebe Bridgers, Lizzy McAlpine, Holly Humberstone and Hayley Williams. What I admire most is that they all have a very recognizable identity. They're involved in more than just singing, and every creative decision feels intentional. That's something I always try to bring into my own work!

Q: Describe the most common type of work you do for your clients.

A: Most of my work involves recording lead vocals, writing toplines, lyrics, and helping artists shape their songs. Some clients come to me with a finished track that needs vocals, while others only have an idea and want to develop it into a complete song. I mainly work in pop, indie and EDM but I'm always open to exploring different styles.