Sound engineer based in Italy, worked on multi platinum records, Italian top 10 albums and singles. Recording, mixing and mastering! Let me help you make your music great!
As an engineer and producer I had the fortune to work on great projects, all the way from writing to producing, recording, mixing and mastering. My recording studio is a hybrid between analog gear and digital workflow.
When I'm not working in the studio you can find me teaching audio engineering and working as a live sound engineer. Currently working in the studio and on tour with the Italian band Pinguini Tattici Nucleari (Festival di Sanremo, Primo Maggio Roma, Forum di Assago...)
🎹PRICING FOR MIXING+MASTERING🎹
1-10 stems: from 50$ to 150$
more than 10 stems: from 150$ to 300$
🎛PRICING FOR MASTERING🎛
standard mastering: 50$ to 80$
stem mastering: 80$ to 120$
A brief bio:
Marco's dad is a sound engineer as well, so Marco had the opportunity to go to dad's studio since he was a child. At the age of 22 Marco records and mixes his first gold-awarded record, after that he has the opportunity to work on gold, platinum and multi platinum projects.
He has also worked in London on some classical music recordings for the BBC.
As a live sound engineer he has had the opportunity to work in festivals with amazing musicians such as Michael McGoldrick, Goitse, Dervish, Sharon Shannon, and in great venues such as RSI Switzerland, Primo Maggio Roma, Mediolanum Forum MI.
Other than sound engineering, Marco also works as a teacher (sound recording & mixing).
Contact me through the green button above and let's get to work.
2 ReviewsEndorse Marco Ravelli
Interview with Marco Ravelli
Q: Can you share one music production tip?
A: Do not overdo it!
Q: What type of music do you usually work on?
A: I usually work on pop, electronic, trap, rap, rock.
Q: What's your strongest skill?
A: I also work on live sound, and I also am a keyboardist with a big music theory background.
Q: What do you bring to a song?
A: I try to bring my vision, in respect to what the vision of the artist is. I try to find the meeting point, the sweet spot :)
Q: What's your typical work process?
A: I usually start my listening to the references that the client sends me. It is very important to understand what the artist's vision is. This is obtained by listening very precisely to what the client is saying, sometimes engineers tend to go in a direction that is different from the one that the client has in mind, and that's bad! you must work WITH the client, the only way to make a good record is to make it together.
Q: Tell us about your studio setup.
A: I work in multiple studios. My mixing and mastering room is full of analog gear, but equipped with full digital routing and recall capabilities, so that I can have the advantages of the great analog machines but at the same time the advantages of the modern digital world.
Q: What other musicians or music production professionals inspire you?
A: To me the most important thing is being professional. A great record comes only if every step of the chain is well made. So I am inspired by anyone that does not underestimate the role of every single little step of the chain.
Q: Describe the most common type of work you do for your clients.
A: I range from mixing, mastering, producing and writing. I also play keyboard parts on many records I work on, if needed!