Let's make something awesome! Full-service production, additional production, mixing, mastering. From your sketch idea to a full radio/club product. Credits on tracks signed to Publicis Group, RTI Music, and countless tracks synced to commercial films.
MIXING (Corrective EQ, leveling, post-production, and audio enhancement of each channel)
1-10 multitrack 100$
10-20 multitrack 150$
20-30 multitrack 180$
30 or more multitrack. 200$
MASTERING (Stereo L-R Mastering)
STEM MASTERING (Offers greater control over the sonic shape and balance of your music)
5-7 stems 100$
ADDITIONAL PRODUCTION (Sometimes track replacement and additional layering could be incredibly effective)
1 additional layer 30$ each
1 full drums bundle 100$
PRODUCTION (Taking care of your song from start-to-finish, or of parts of it)
Contact for pricing
FILM COMPOSITION & SOUND DESIGN
Contact for pricing
CONSULTING (Need to know something about producing, arranging, music theory, orchestration, or composition?)
Each answered question 3$
PROGRAMMING DRUMS (Pop, Electronic, Trailer & Cinematic)
EDITING / TIME ALIGNMENT / QUANTIZING / VOCAL TUNING
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
ReviewsEndorse Giovanni Crovetto
Interview with Giovanni Crovetto
Q: What are you working on at the moment?
A: Working on the music production of a continental advertising campaign for Europe
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Yoad Nevo
Q: Analog or digital and why?
A: I believe that in this era a hybrid setup is the best possible setup
Q: What's your 'promise' to your clients?
A: I always work at my best for any project
Q: What do you like most about your job?
A: In music, personal discoveries suddenly become public heritage. So, being part of a global community is something I love about making music today
Q: What questions do customers most commonly ask you? What's your answer?
A: Q: How long is your turnaround time? A: I can work very quickly if necessary, just contact me to schedule the best delivery time for you
Q: What's the biggest misconception about what you do?
A: The biggest misconception is thinking that I am suitable for specific projects only. What matters is music so, if it is great, I'll do my best to bring high value to it, whatever genre it is
Q: What questions do you ask prospective clients?
A: At the moment I have no question, let's just talk about your music!
Q: What advice do you have for a customer looking to hire a provider like you?
A: As I am used to solving problems, don't hesitate to ask me anything
Q: What was your career path? How long have you been doing this?
A: I studied violin from 5 to 15. I began producing and composing with 16, doing it professionally over the last four years. I also have three music degrees in two different countries: Austria and Italy. I've got an M.A. in Musicology, Composition, and Music Theory
Q: How would you describe your style?
A: Versatile and on the point
Q: What type of music do you usually work on?
A: Hybrid, electronic, production-music & sound design. Working for audiovisual media leads me to produce in very different genres
Q: What's your strongest skill?
A: My strongest skill as a mixer comes from knowing composition and music theory
Q: What do you bring to a song?
A: I strive for innovation to achieve emotional charge
Q: What's your typical work process?
A: My goal is to achieve an artist's vision. Listening to her/him and understanding her/his needs informs me of each project's musical priorities. Sharing my client's vision is the keystone of my process
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Stereo pair of Telefunken C-12 Neve 1073 dual pre&eq Pultec EQP1A Tubetech CL1B comp Prophet '6 (I'd also love to bring an instrument: the Yamaha CFX grand!)
Q: Which artist would you like to work with and why?
A: Ms. Lauryn Hill, because of her wonderful voice Celeste, because I love her soulful texture Taylor Swift
Q: Can you share one music production tip?
A: Keep it simple and control every aspect of your music. The melody, the bass, the harmony, and the countermelodies should maintain individual identities and spaces within the audible spectrum
Q: Describe the most common type of work you do for your clients.
A: I love music, and that's why I create, compose, and mix music every day. Producing, mixing, and sound designing are my common types of work
Q: What other musicians or music production professionals inspire you?
A: Dua Lipa, Billie Eilish, Lorde, Woodkid, Caribou, Groove Armada, Rival Consoles, The Avener, Celeste.