
My goal is to give you peace of mind and confidence in your records sounding the absolute best that they can, and being fully prepared for commercial distribution. I value the client first and foremost, so you can expect quick and effective communication as well as compete dedication to helping you achieve your goals with a project.
I've been in the music industry for the past 5 years and have been playing music for many years before that, I absolutely love having the role of enhancing peoples songs through mastering! My experience in creating music combined with my mastering skillset gives me a unique perspective on how great things can sound, and how to get them there.
I am a huge fan of using Analog gear, and use mostly outboard processing for my masters. I work in many genres including Pop, Electronic, Rock, Singer Songwriter, Christian/Worship and more. I am always open to trying out new sounds, and am fully committed to giving you the best sounding master possible. I look forward to hearing your projects!
Bonus facts about me, I play a bit of guitar, and an even littler bit of keys, as well as do some live sound engineering. Also, pizza is probably my favorite food, its pretty great.
Send me a note through the contact button above.
Credits
Interview with Delemos Mastering
Q: Analog or digital and why?
A: I love Analog! To me, analog gear has a special way of doing things, it's never the same sound twice, has a unique character to it and truly feels "alive", all properties of a well made record. I've been mastering using analog gear since I started, it really works well for my workflow and sound.
Q: What do you like most about your job?
A: I love getting to work with the people I do, I love the songs of course, but being able to hear peoples excitement with a project when it is finished is truly incredible! Building relationships through this has been an amazing experience.
Q: Tell us about your studio setup.
A: My most important piece of “gear” is of course my ears, probably wouldn’t be able to do a great job mastering without those. Jokes aside, I am a huge fan of any piece of gear that can bring something interesting to the table, and help sonically perfect a mix. In addition to a well treated room, I have some great outboard gear (CAPI FC526, Vintage UREI 1176 Prototype, as well a pair of Avantone CLA-10 monitors.

I was the Mastering Engineer in this production
- Mastering EngineerAverage price - $150 per song
- Podcast Editing & MasteringAverage price - $150 per podcast
Turn around time for a single master is 2 business days, 5 for an EP or album. One revision is included in the price, more revisions will incur additional fees.
- Coldplay
- The 1975
- Dua Lipa
- CAPI FC526 FET Compressor
- Sound Skulptor SSL Bus Comp
- Vintage UREI 1176 Prototype
- Avantone CLA-10 Monitors