My goal is to give you peace of mind and confidence in your records sounding the absolute best that they can, and being fully prepared for commercial distribution. I value the client first and foremost, so you can expect quick and effective communication as well as compete dedication to helping you achieve your goals with a project.
I've been in the music industry for the past 5 years and have been playing music for many years before that, I absolutely love having the role of enhancing peoples songs through mastering! My experience in creating music combined with my mastering skillset gives me a unique perspective on how great things can sound, and how to get them there.
I am a huge fan of using Analog gear, and use mostly outboard processing for my masters. I work in many genres including Pop, Electronic, Rock, Singer Songwriter, Christian/Worship and more. I am always open to trying out new sounds, and am fully committed to giving you the best sounding master possible. I look forward to hearing your projects!
Bonus facts about me, I play a bit of guitar, and an even littler bit of keys, as well as do some live sound engineering. Also, pizza is probably my favorite food, its pretty great.
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
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Interview with Delemos Mastering
Q: Analog or digital and why?
A: I love Analog! To me, analog gear has a special way of doing things, it's never the same sound twice, has a unique character to it and truly feels "alive", all properties of a well made record. I've been mastering using analog gear since I started, it really works well for my workflow and sound.
Q: What do you like most about your job?
A: I love getting to work with the people I do, I love the songs of course, but being able to hear peoples excitement with a project when it is finished is truly incredible! Building relationships through this has been an amazing experience.
Q: Tell us about your studio setup.
A: My most important piece of “gear” is of course my ears, probably wouldn’t be able to do a great job mastering without those. Jokes aside, I am a huge fan of any piece of gear that can bring something interesting to the table, and help sonically perfect a mix. In addition to a well treated room, I have some great outboard gear (CAPI FC526, Vintage UREI 1176 Prototype, as well a pair of Avantone CLA-10 monitors.