Remote Mixing and Mastering

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: The score of a film that is about to come out. It has some western sounds (Banjos, Ac Gtr's) combined with heavy electronics that create tension and bring a colorful pallet of sounds. It was a challenge that i really enjoy

Q: What are you working on at the moment?

A: Finishing the production and mixing of a pop album that has a 70's vibe

Q: Analog or digital and why?

A: Both, they have different colors. It depends what's appropriate for the project

Q: What's your 'promise' to your clients?

A: No rest until we're both proud of the result

Q: What do you like most about your job?

A: The experimentation

Q: What's the biggest misconception about what you do?

A: That anyone with gear can make the same results. It's not the equipment but the experience

Q: What advice do you have for a customer looking to hire a provider like you?

A: Look for taste and results, someone you can really collaborate

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: Fender Stratocaster, Fender Jazz Bass, SSL 2, LA-2A, Neumann tlm 103,

Q: What was your career path? How long have you been doing this?

A: 7 years. I started producing my own music and in the process i fell in love with mixing and mastering. Then i started producing, mixing and mastering artist in my city and mixing for people all over the world.

Q: How would you describe your style?

A: Clean and minimalist.

Q: Which artist would you like to work with and why?

A: Trent Reznor and Atticus Ross, because i think they renovate the sound in every project and create an atmosphere that few can. That's very inspiring to me.

Q: Can you share one music production tip?

A: 10% rule. When you think you have the right amount of a an effect, turn it down 10% and most of the times that's the perfect amount.

Q: What type of music do you usually work on?

A: Pop, Funk, Electronic, Soundtrack, Rock.

Q: What's your strongest skill?

A: Listening, both people and music. By that i can contribute in a relevant way.

Q: What do you bring to a song?

A: Perspective. I like to bring options in textures and colors.

Q: What's your typical work process?

A: Listen very carefully to the song many times before touching any knob. If possible, talk to the artist/producer and understand the emotion and vibe they have when making the record, the influences, references, textures, everything that help me get in the same headspace as they were.

Q: Tell us about your studio setup.

A: I mix with hybrid analog/digital. I have everything organized and patched so i can be efficient, productive and creative.

Q: What other musicians or music production professionals inspire you?

A: Greg Wells, Tony Maserati, Dave Pensado, Mark Ronson, Finneas, Ludwig Göransson.

Q: Describe the most common type of work you do for your clients.

A: Mixing and Mastering.