Alex J Kramer

Producer | Mixing Engineer

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6 Reviews
Alex J Kramer on SoundBetter

Hi everyone! For mixing I use 48-channel Neve VR Legend console, Genelec 1238 monitors and analog outboard gear. Ghost mixing is not a problem for me so if you need the project to be mixed not by your hands but with your sign - please feel free to contact me.

I'm Kyiv based producer and mixing engineer with 10+ year experience in producing, recording and mixing. I worked with all A-List Ukrainian artist as Jamala, Zapaska, Бумбокс, The Gitas, Pianoboy, Океан Ельзи, Layah, Wavewalkrs, Akine and other. Also I worked with Corey Chorus, Dan Balan, Andrea Bulgaria, Esphyr and on title song for Berlin, I Love You movie.

Click the 'Contact' above to get in touch. Looking forward to hearing from you.

6 Reviews

Endorse Alex J Kramer
  1. Review by Adik C.
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    I've been working with Alex while recording the title song for Berlin I Love You movie. Alex is a very well organized professional with a lot of passion and enthusiasm. Working process, results, everything is on the highest professional level.

    Pues si alguien quiere grabar su cancion o album, Alex es una persona perfecta, que tiene mucho paciencia, experiencia y pasion a su trabajo:)

  2. Review by Sal Ramazzini
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    by

    Alex is a professional in every sense of the word, from his punctuality, to his down to earth vibe and his open minded creative nature makes him one of the best if not the best Ukrainian sound Engineer right now in the music industry. From his knowledge of mic set up (witch is crucial for any recording) to his extended knowledge on analog and digital consoles (not to mention he knows how to operate a Neeve Console like no one! ) Alex really separates himself from the rest it’s been true pleasure working with him.

  3. Review by Vera Olevskaya
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    by

    Fast speed, excellent quality, friendly and attentive. True professional!

  4. Review by Vera Olevskaya
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    by

    Fast speed, excellent quality, friendly and attentive. True professional work!

  5. Review by Svetlana Maiher
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    by

    Good professional work! Was happy to work with you!!! It’s a high level of quality and speed wich is really important in our days!!! [DAIZY CRAZY] 💙💚

  6. Review by Юрий В.
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    Kind and polite, really good professional. Highly recommend Alex as great sound engineer and mixing engineer.

Interview with Alex J Kramer

  1. Q: What questions do customers most commonly ask you? What's your answer?

  2. A: - Kramer, is Eddie your grandpa? - who is Eddy?)))))

  3. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  4. A: Yip :)

  5. Q: Analog or digital and why?

  6. A: Analog(console) because I like the idea of mixing together analog signals instead of 0 and 1 ITB. All that digital stuff is good enough for any situation but for my ears it's still far away from analog sound.

  7. Q: What's your 'promise' to your clients?

  8. A: I'll do my best!

  9. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  10. A: Ahahahahaha I think that they will not help me to save my ass so I don't need any for that situation. ;)

  11. Q: What was your career path? How long have you been doing this?

  12. A: 10+ years

  13. Q: How would you describe your style?

  14. A: Bright and Punchy

  15. Q: Which artist would you like to work with and why?

  16. A: Deftones, Chick Corea, Dream Theatre, Eminem, Limp Bizkit, Muse, Metallica, RHCP, the National, also withsome of the newest Hip-Hop/RnB stuff. I don't know why but I think it would be interesting to work with them.

  17. Q: Can you share one music production tip?

  18. A: Sure! I use automation instead of compression for creating right macro dynamic of each song.

  19. Q: What type of music do you usually work on?

  20. A: Pop, Rock, Jazz.

  21. Q: What's your strongest skill?

  22. A: Psychology

  23. Q: What do you bring to a song?

  24. A: Life and vibes. :)

  25. Q: What's your typical work process?

  26. A: Usually I start from finding the right balance by using only faders and pan knobs and when it works the best possible way I start to eq and compress each instrument but only when they need to be eq'd and compressed. Right after that I start to use delays, reverbs, modulation for creating extra vibes. And the last thing that I normally do is automation. Normally it takes 4-8 hours for each song from the console setup to the final mix.

  27. Q: Tell us about your studio setup.

  28. A: I use 48-channel Neve VR Legend analog console with Flying Faders. Monitors: - Genelec 1238A - Yamaha NS10 Studio -Auratone 5c. Converters: - Apogee Symphony 56 ch. analog I/O - API A2D. DAW: - Pro Tools Ultimate Mix bus compressors: - API 2500 - SSL G-bus. Outboard: - 2 x Empirical Labs Distressors - Shadow Hills Vandergraph - UA 1176 - 2 x dbx 160 XT - a few 500-series modules like an API 550a, API 525 and Pultec EQP-1A - Lexicon 300 - Universal Audio Apollo 16 as my external delay/modulation rack. Other: - Waves Mercury Bundle - UAD all plugins bundle - Steven Slate Trigger 2

  29. Q: What other musicians or music production professionals inspire you?

  30. A: Andy Wallace, Chris Lord.

  31. Q: Describe the most common type of work you do for your clients.

  32. A: Mixing! Mixing! Mixing! :)

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Wavewalkrs - Truth Lies

I was the Mixing Engineer in this production

Terms Of Service

It takes 4-8 hours for mixing one song. I make 3 revisions. Every next revision - $60usd. A capella and Instrumental versions for free.

GenresSounds Like
  • Cardi B
  • Muse
  • Gretchen Parlato
Gear Highlights
  • Neve VR48 Legend
  • Genelec 1238B
  • Pro Tools 12HD
  • Apogee Symphony
  • API A2D
  • Empirical Labs Distressors
  • DBX 160XT
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