Alex Rights has worked with a wide variety of musicians and mastered music for artists from different countries, such as France, the US, England, Canada, Australia, Denmark and Chile.
During his first years in the music business, Alex worked in recording studios in Leicester, England, where he also participated in the development of research programs in sound engineering at DeMontfort University. Rights was also involved in different spheres of the music industry. In Montreal, after graduating from the University of Montreal in Digital Musics, he worked as an acoustics and music history lecturer, a music producer and mixer, and more recently as a mastering engineer exclusively – What he has always preferred.
Alex is now an in-house mastering engineer at Le Lab Mastering, and works daily at the studio on different projects.
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2 ReviewsEndorse Alex Rights
Alex mastered a song we recorded with my band, and he added the perfect amount of energy, intention and colors, all of that in no time ! If you want a (musically) comprehensive and qualified sound guy to master your tracks, ask Alex Rights !
Love working with Alex. He's been my mastering engineer for more than 2 years now. I produce electronic music and he knows how to make it to the industry standard.
Interview with Alex Rights
Q: What type of music do you usually work on?
A: Pop, Folk, Hip-Hop, Electro-Pop
Q: Analog or digital and why?
A: Both! Best of both worlds.
Q: What questions do you ask prospective clients?
A: I often want to know the story behind the song.
Q: What do you like most about your job?
A: The passion.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Millennia NSEQ-4 for its transparency
Q: Can you share one music production tip?
A: Simply listen with fresh ears: They're the best gear.
Q: What's your strongest skill?
A: I know frequencies!
Q: What do you bring to a song?
A: I always listen to a song and identify what I can do to it in order to like it better. The room I work in lets me tune the music to the room, and if it sounds good here, it sounds good everywhere.
Q: Describe the most common type of work you do for your clients.
A: Remote mastering, for international artists, is what I do most from the studio in Montreal.