Mixing, mastering, re-amping, bass
I believe that my job is to increase the value of your art with respect to your vision.
Contact me through the green button above and lets get to work.
8 Reviews - 1 Repeat ClientEndorse Dmitry Belousov
I've become a regular client.
Dima is very reliable and hard-working :D
This is the second time that I've asked to Dima for bass rec. I enjoy working with him. He is really nice, clear, cool revisions and very easy to work with :)
Dima is a professional bass player and have lot of patience.
The whole process has been smooth with very clear communication. In addition, he never had any complaints, although I make him annoying and many requests. I have no hesitation in recommending him.
I really take my hat off to him for your sincere efforts and working with him again!
It was pretty awesome exp! Just be yourself, go to Old Factory and all your dreams comes true. Enjoy the atmosphere of this place and really hard-working with Dima. Together you can find your own sound and use it with a great pleasure for all of your songs=)
Working with Dima was a great experience for our band. He is not only a big professional, but also very cool guy ;) his studio is so impressive, and you can achieve brilliant sound here. Really :) And, buy the way, he is not only recording you - when you're playing or singing, he can give you advices which help to make your play better.
Great sound, professional audio engineer, high-quality instruments. That's all you need and you can find it at Dima's "Old Factory" studio. Our band recommends it to every musician who wants to get a top result.
Just recorded a new EP, and we are extremely happy with the result and totally recommend the "Old Factory"! Dima is a really competent, highly-experienced, and what is most important for beginners, very friendly and ready to help, give some advice or even help out with recording back-vocals.
High-quality professional recording equipment, reasonable price, competent, experienced, friendly record producer, great atmosphere ( we really enjoyed working there). The studio is located not far from subway. We definitely recommend recording at Old factory studio.
Interview with Dmitry Belousov
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: This question forces me to chose a client and make him look like he is more special than others what is definitely not true and I don't want to lie to you. Even a choice for a one song for this portfolio was dramatically difficult for me.
Q: What are you working on at the moment?
A: I'm writing this answers obviously.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Nobody now. I hope this situation will change.
Q: What's your 'promise' to your clients?
A: Make the job.
Q: What do you like most about your job?
A: I can become part of something bigger than myself, something amazing.
Q: What questions do customers most commonly ask you? What's your answer?
A: I can't remember something specific what everybody asks permanently.
Q: What's the biggest misconception about what you do?
A: Lots of young musician think that an audio engineer is the a guy who "makes sound". They think mix is a static sculpture. Put plugins in slots and that's it. And even young engineers think something like this, in my country at least.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Just read what I wrote in this interview. It's honest and clear. I hope it helps you.
Q: How would you describe your style?
A: As a mixing engineer, I cut a lot. And then I boost a lot. Don't use compressors for dynamics control usually so my mixes have lots of automation, especially on vocals. As a bass player, I prefer fundamental parts. I can play very fast, I've played progressive and technical genres, but I always feel lack of something fundamental when it comes to bass "shredding".
Q: Which artist would you like to work with and why?
A: I really don't know. You can think it's a miracle but I've very rarely seen artists who I don't like in my studio. So there is no such dream "I want to work with this band!", my clients are the stars for me already. I'm serious.
Q: What questions do you ask prospective clients?
A: What do you want? No so many people can answer this question. And if somebody doesn't know what they want they don't get it obviously. If we formalize what we actually want we make 50% of job.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Something to get a glass of clear water in the first place.
Q: What was your career path? How long have you been doing this?
A: Almost 30 years, since I was 7 and started my musical education as an accordionist.
Q: Can you share one music production tip?
A: Always edit drums before you start to record all other instruments.
Q: What's your typical work process?
A: At the mixing stage, I prefer to make a mixing plan before I start. I always make checking, editing, triggering and cutting first so when it comes to the mixing stage I know the song well enough and I know what I'm gonna do. I write a plan (stacks of old scores from musicians are very useful) and make lots of notes what I do and where.
Q: Tell us about your studio setup.
A: I'm an almost ITB engineer. I have a collection of studio gear for recording but after the signal was captured I rarely use outboard devices except for tracks what was made in other studios.
Q: Analog or digital and why?
A: Both. And the answer to "why" is too long.
Q: What type of music do you usually work on?
A: Rock, pop.
Q: What's your strongest skill?
Q: What do you bring to a song?
A: Basically, I try to increase the value of the clients' music. All other things and actions are just tools. Music has to touch something in our minds. I try to understand what clients want to share with listeners and enhance it in every possible way, make it open and clear.
Q: What other musicians or music production professionals inspire you?
A: This list is too long)
Q: Describe the most common type of work you do for your clients.
A: Producing/recording. I'm a recording studio owner so It's what I do for my local clients usually.