a professional producer with a decade of instrumental experience and varying abilities.
While my forte is beat making, similar to the likes of Lil Peep, Future, Yung Lean, Bladee, and Lil Uzi Vert, I've also been a jazz & orchestral upright bass player for the past 10 years. Along with the skills I learned from the orchestral world, I am also proficient at several styles of drumming as well as guitar playing, for which I have 12 years and 10 years experience respectively. I can record a variety of guitar styles, including (but not limited to) pop, punk, rock, folk, and blues. From a drumming standpoint, I can play styles including jazz, rock, pop, indie, metal, and punk. My prices are negotiable and I can take on bulk work. Additionally, I've had a hand in writing over forty songs.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Credits
Interview with remghost
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: a song I released called "thorns". the song was produced, mixed, and performed by me.
Q: What are you working on at the moment?
A: Several albums for a couple different artists.
Q: Analog or digital and why?
A: depends on the circumstance, but generally digital recording is simpler because of how easily accessible it is.
Q: What's your 'promise' to your clients?
A: If you hire me I will produce what you desire and will make constructive suggestions if it will make the music better.
Q: What do you like most about your job?
A: Flexibility.
Q: What questions do customers most commonly ask you? What's your answer?
A: How long have you been producing? 3 years How long have you been making music? twelve years
Q: What's the biggest misconception about what you do?
A: That I only make one kind of music.
Q: What questions do you ask prospective clients?
A: What is your aim in your pursuit of making music?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Make sure the person you're hiring completely understands the service that you're looking for.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: electric guitar, macbook, microphone, questlove breakbeats drumkit, bass guitar.
Q: What was your career path? How long have you been doing this?
A: While attending university, I realized my skills would be better utilized outside of academia. Although I'd been producing music for about a year before then, that was when I realized I should be making my career my primary focus.
Q: How would you describe your style?
A: From a production standpoint, my sounds meshes together the likes of Lil Peep, Aphex Twin, and modest mouse, while retaining airy & ambient tones similar to artists like ecco2k and yung lean.
Q: Which artist would you like to work with and why?
A: John Maus. One of my biggest inspirations and someone who I see as a musician who isn't afraid of breaking what is normal.
Q: Can you share one music production tip?
A: Quality over quantity.
Q: What type of music do you usually work on?
A: Hip Hop, electronic, indie.
Q: What's your strongest skill?
A: Making sounds mesh well together.
Q: What do you bring to a song?
A: Outside of the box thinking, structural know-how, a youthful outlook.
Q: What's your typical work process?
A: Taking into account what the client is looking for and making a couple different options to suit their desires. For solo music, I generally start with either a guitar or synth melody, then add drums, then other instrumentation, and lastly vocals.
Q: What other musicians or music production professionals inspire you?
A: Erik Ron, John Maus, Apex Twin.
Q: Describe the most common type of work you do for your clients.
A: Guitar playing & beatmaking.
- Beat MakerAverage price - $300 per song
- Live drum trackAverage price - $100 per song
- Bass UprightAverage price - $200 per song
- Songwriter - LyricContact for pricing
- Ghost ProducerAverage price - $500 per song
Beats made by me must be purchased before being released, buyer has to contact me to negotiate royalty splits. Turnaround for production and guitar playing can take as little time as one day.
10% off of first commission.
