As an audio engineer, my goal is to do whatever is necessary in the service of the music! My rates are negotiable, I wholeheartedly believe that finances should not get in the way of music-making.
MIXING:
Whether you want a "band in the room" feel, or a polished studio production, I am comfortable mixing all genres and styles of music.
PRODUCTION:
As a producer, I will help you make arrangement and instrumentation choices that help to serve the music.
EDITING:
I can comp vocals and instrumentals, as well as make any timing or pitch corrections.
PODCAST MIXING:
Whether your podcast consists of solely interviews or is a more fleshed out production, I will make sure it is sounding great and is at the proper loudness.
Send me an email through 'Contact' button above and I'll get back to you asap.
Credits
Interview with Logan Miley
Q: Analog or digital and why?
A: Hybrid! Each offers something that the other does not. Editing is obviously much easier and quicker in the digital domain! The wealth of plugins that are available today also enable me to create sounds and textures that would be impossible in the analog domain. Conversely, there is a particular magic that happens when working analog, particularly when it comes to summing your mixes! I think the magic partly comes from the stakes being higher when working in the analog realm. You have to commit more when working analog since it is not as easy to undo or recall your work as it is when working digitally! Working analog inspires a confidence that is not as easily achieved when working solely digitally.
Q: What do you like most about your job?
A: I love helping musicians create something that they are proud of. Seeing a track through from start to finish and knowing that you've helped create something great is one of the most rewarding experiences!
Q: What's the biggest misconception about what you do?
A: That mixing and recording music is formulaic! Every project I work on is different and requires a unique approach.
Q: How would you describe your style?
A: It really all depends on the artist I'm working with! I typically like to be very involved creatively, whether I am mixing, recording or producing, but I am also comfortable with a hands off approach and act more as a technician. My ultimate job is to act in the best interest of the music and what the artist wants.
Q: What type of music do you usually work on?
A: I typically work on rock and indie/alternative, but I am equally comfortable working on more straightforward pop and electronic tracks.
Q: What's your strongest skill?
A: I pay close attention to the small details that really help to bring a song to life. I believe that subtle changes and one -time events within a song can help transform a great track into an incredible track!
Q: What other musicians or music production professionals inspire you?
A: As an engineer/producer, I am most inspired by Shawn Everett (Alabama Shakes, The Killers, Kacey Musgraves). His singular approach to audio engineering inspires me to take a more creative approach to what is largely thought of as a technical craft.
Q: Describe the most common type of work you do for your clients.
A: I typically act as both a producer and recording/mix engineer for the bands I work with. Being involved with all aspects of the music making process allows me to develop a good relationship with the artist and ultimately help them to create the best music they can!
- Mixing EngineerAverage price - $250 per song
- ProducerAverage price - $300 per song
- Podcast Editing & MasteringAverage price - $150 per podcast
- EditingAverage price - $50 per track
- Vocal compingAverage price - $50 per track
- Vocal TuningAverage price - $50 per track
- CelloAverage price - $100 per song
- Boards of Canada
- Duster
- Slowdive