Are you a new artist looking to break into the industry? Want your mix to have that amazing low end? Then you should consider contacting me for mixing/mastering your next release. I'm a new mix engineer looking to grow my catalog so you can hit me up for a low price.
Will mix/master your hip-hop/trap record.
Will create a trap beat for you to rap/sing over.
May feature you on The Kitchen Spotify page (extra exposure).
https://open.spotify.com/artist/3UZDsnAmnpGlFGlFyikvIt?si=4MMnY-XCRROUD-VA8AlBzw
Tell me about your project and how I can help, through the 'Contact' button above.
Interview with The Kitchen
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I had the pleasure of putting together a music video for the first time recently, and to see it all come together under my direction felt amazing.
Q: What are you working on at the moment?
A: I have singles with various artists and an album is currently in the mixing & mastering phase.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Bradley Denniston mixed one of my first records and inspired me to dive deeper into this industry.
Q: Analog or digital and why?
A: While I understand that some analog gear is superior, I also know that 90% of what I do will sound close if it's done inside the box.
Q: What's your 'promise' to your clients?
A: You will gain a new perspective on your song when you send it to a mixing or mastering engineer.
Q: What do you like most about your job?
A: I love the fact that I can come onto the scene, team up with some skilled people, and make something awesome.
Q: What questions do customers most commonly ask you? What's your answer?
A: If a customer wants advice on a song, I'll be sure to give them honest feedback.
Q: What questions do you ask prospective clients?
A: Do you want this song to sound aggressive on party speakers, or should I go for a more balanced mix.
Q: What advice do you have for a customer looking to hire a provider like you?
A: If you want to take your music to the next level, go pay good money for a seasoned veteran. If you want to find a new lane, give my line a ring.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: I would bring my desktop, a Scarlett amp, an e850 microphone, and a pair of nice big Adam studio monitors.
Q: What was your career path? How long have you been doing this?
A: I have worn many hats since I started making beats back in 2016. I have taken an executive role in many of my more recent projects.
Q: How would you describe your style?
A: I like to keep it clean.
Q: Can you share one music production tip?
A: Find a group of people who you can count on... it makes the journey much more fulfilling.
Q: What type of music do you usually work on?
A: I usually stick to making trap beats when I'm in the studio.
Q: What do you bring to a song?
A: I'm in my own lane for trap sound... you won't hear anything else that is quite like it.
Q: What's your typical work process?
A: I typically break a mix down into a set of goals I want, and I check those goals off as I move towards a final product.
Q: Tell us about your studio setup.
A: I have a great room for mixing and mastering. My monitors give me the information above 35hz, and I'm nicely positioned to feel what your low end is doing.
Q: What other musicians or music production professionals inspire you?
A: I'm inspired by Geoff Emerick, Bradley Denniston
I was the Beatmaker & Engineer in this production
- Mastering EngineerAverage price - $30 per song
- Mixing EngineerAverage price - $50 per song
- Beat MakerAverage price - $50 per song
- Universal Audio Ecosystem
- Yamaha HS5 Studio Monitors
- Izotope Mastering Plugins
