Quick deliveries, efficient communication, flexible and hard worker. If you'd like to know more visit my website www.eduardodinisproductions.com
With almost 10 years of experience in the bag, I have worked with multiple artists ranging from pop, rap, reggaetton, rock and hardcore rock. I am looking to keep helping artists to enhance their productions ready for online release.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
3 ReviewsEndorse Eduardo Dinis
Very professional and easy to communicate with. We collaboratively produced an EDM track where he did excellent sound design, arrangement and mixing. It was a challenge to work remotely between the UK and NYC, but he made it work and it was enjoyable and productive. I would definitely recommend him for any type of genre to get a great sound. He's very knowledgeable and above all, quite musical!
Very capable and professional.
Eduardo is great at leading the recording process and manage artists making them feel at ease. Very professional with outstanding mixing and mastering technique. I definitely recommend him!
Keep up the good work.
The best quality that can be found in a professional is the commitment and meeting the deadlines that are defined throughout the project. In addition to this valuable characteristic, Eduardo always shows total mastery in the art of manipulating sound, more like a magician with his magic wand and pixie powder. Combining good taste with ProTools mastery, there is no challenge that cannot be overcome quickly and effectively. Eduardo is always flexible, meeting the goals and guidelines of the producer, negotiating his timely and valuable tips, creating a relationship of high productivity and good
Interview with Eduardo Dinis
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Mixing and mastering Nick Davies's The Pulse because I think the song got the energy and impact that needed for people enjoy it.
Q: What are you working on at the moment?
A: Mixing and mastering an rock EP
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: No, but I am here to increase my network
Q: Analog or digital and why?
A: That would depend on the result to achieve a certain sound. I use digital because it gives me the most of efficiency while working with the same sonority or with almost no differences.
Q: What's your 'promise' to your clients?
A: Achieve a final result where will bring the best of your productions.
Q: What do you like most about your job?
A: That a song can take a lot of different approaches to covey different emotions or perspectives and that unpredictability makes the job much more exciting. It will never be the same task even tho the basics will be the same. Being challenge every day is what makes this job interesting and exciting.
Q: What's the biggest misconception about what you do?
A: That mixing and mastering music it is only to sound better every speaker but truly every mix and mastering move will have an impact on the production and how it will affect the listener's perspective.
Q: What questions do you ask prospective clients?
A: What's their vision for the project? What are their ambitions? Tell me more about the track.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Know the previous work and its reviews, like the one's work so you know what you looking for
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: I would take a Neumann U87, 1176, LA-2A, API 550B Eq and SSL G-Master Buss
Q: What was your career path? How long have you been doing this?
A: I have been mixing and mastering for 7 years.
Q: How would you describe your style?
A: Modern pop productions mixed with indie rock
Q: Which artist would you like to work with and why?
A: Avenged Sevenfold is one of my favourite bands and it would be a pleasure to help them make their productions sound better. Other artists would be Charles Puth, Imagine Dragons and Radiohead.
Q: Can you share one music production tip?
A: Automation is one of the most powerful tools to keep the music interesting and engaging.
Q: What type of music do you usually work on?
A: It varies from rock, pop, indie, metal to EDM, acoustic.
Q: What's your strongest skill?
A: Mixing (indie, pop, rock)
Q: What do you bring to a song?
A: life, interest, new perspectives, enhancement of the production, energy, clearness, expression.
Q: What's your typical work process?
A: I start to the song and know all the parts in the meantime I will balance roughly the volumes to get the big picture. Then I will start to group some pieces and see process them as needed. Once I have that done I'll pay attention to the individual parts and change them if needs to clean it up. After I will start to bring effects on reverb, delay, chorus, phasers usually and automate them. After I will make the final automations.
Q: Tell us about your studio setup.
A: I mainly work on Pro Tools but I also use Logic Pro X. At the moment all the work I do is inside the box. I have a pair of KRK speakers.
Q: What other musicians or music production professionals inspire you?
A: Joe Gilder, Chris Lord-Alge, Dave Pensado, Warren Huart, Marc Daniel Nelson
Q: Describe the most common type of work you do for your clients.
A: I mainly do music mixing and mastering.