Jason Mitchell Mastering

Pro Mastering Engineer

Jason Mitchell Mastering on SoundBetter

Welcome to Jason Mitchell Mastering, the online studio for digital mastering that uses human ears and not algorithms! Quick service and professional results from years of professional mastering!

Flytrap is an acoustically treated, high definition studio with accurate Neumann monitoring and professional mastering software. Masters have been created here for numerous clients from major labels to independent bands. The studio also caters for mix projects and music production.

Our mastering engineer, Jason, has been mastering professionally for over 20 years and is credited on countless albums as one of the world’s noted mastering engineers!

Would love to hear from you. Click the contact button above to get in touch.

AllMusic verified credits for Jason Mitchell
  • PJ Harvey
  • Aldous Harding
  • Stuart Staples
  • Tindersticks
  • Gary Numan
  • Jesca Hoop
  • Gary Numan
  • Stuart Staples
  • Dream Wife
  • Cowboy Troy
  • Cowboy Troy
  • Cowboy Troy
  • The Levellers
  • CousteauX
  • Cold Specks
  • Brandon Can't Dance
  • Midge Ure
  • Midge Ure
  • Led Bib
  • Desert Mountain Tribe
  • Desert Mountain Tribe
  • On Dead Waves
  • (Sandy) Alex G
  • Alex G
  • (Sandy) Alex G
  • Alex G
  • We Have Band
  • Kula Shaker
  • Josh T. Pearson
  • Choc Quib Town
  • Smoke Fairies
  • S.O.C.O.M.
  • S.O.C.O.M.
  • S.O.C.O.M.
  • S.O.C.O.M.
  • Elan Mehler
  • Nancy Elizabeth
  • Old 97's
  • Sabrina Malheiros
  • Katarina Knechtova
  • Grand National
  • Hazel Mills
  • Tom Middleton
  • Hot One
  • Ozric Tentacles
  • The Sails
  • Honeybunch
  • Rob Ellis
  • Hedaya
  • Hedaya
  • Suuf
  • The Rurals
  • Robert Plant
  • Dead Can Dance
  • Rob Ellis
  • The Cult
  • Midge Ure
  • N.W.A
  • This Mortal Coil
  • N.W.A
  • Gene Loves Jezebel
  • Gene Loves Jezebel
  • This Mortal Coil
  • Gene Loves Jezebel
  • Gene Loves Jezebel
  • The Cult
  • The Cult
  • The Fall
  • This Mortal Coil
  • The Go-Betweens
  • The Go-Betweens
  • The Go-Betweens
  • The Fall
  • The Go-Betweens
  • The Go-Betweens
  • The Go-Betweens
  • Gene Loves Jezebel
  • Bauhaus
  • The Go-Betweens
  • The Go-Betweens
  • The Go-Betweens
  • Bauhaus
  • Muleskinner Jones
  • Khyam Allami
  • The Revolutionary Army of the Infant Jesus
  • London Contemporary Orchestra
  • Ry X
  • Dua Lipa
  • Self Esteem
  • Raj Mohan
  • Midge Ure
  • Self Esteem
  • Mara Carlyle
  • JayMay
  • Midge Ure
  • S.O.C.O.M.
  • S.O.C.O.M.
  • The Distractions
  • Lau
  • The Revolutionary Army of the Infant Jesus
  • Desert Mountain Tribe
  • Ry X
  • Neil Cowley Trio
  • The Granite Shore
  • The White Space
  • Miss Kenichi
  • Ry X
  • Midge Ure
  • Frankie Morland

Interview with Jason Mitchell Mastering

  1. Q: Describe the most common type of work you do for your clients.

  2. A: Mastering. I can engineer and produce as well but mastering is my professional career and my forte. It's wha clients usually hire me to do.

  3. Q: What other musicians or music production professionals inspire you?

  4. A: I'm inspired by all musicians and the different processes that they use. Music production professionals inspire me when they can get a great sound (live or recorded) that moves me.

  5. Q: Tell us about your studio setup.

  6. A: I have two setups, my main studio with ATC monitoring and my smaller studio with Neumann monitoring. Both are mastering grade and both use the same DAW's and plugins. I don't pick to do jobs in either, I'm comfortable and confident in both studios.

  7. Q: What's your typical work process?

  8. A: Listen to the music, try and get the vibe that the client is after. Then try a few approaches to tailor the sound I'm looking for. Once I'm happy I normally send for approval, if I have questions or suggestions I'll contact the client maybe with a demo and an idea.

  9. Q: What do you bring to a song?

  10. A: A different perspective.

  11. Q: What's your strongest skill?

  12. A: Finding the solution required.

  13. Q: What type of music do you usually work on?

  14. A: Usually guitar based but just as comfortable with electronic.

  15. Q: Can you share one music production tip?

  16. A: Work at the highest resolution possible. Even if it's 48k rather than 44.1k, the final result will benefit from it.

  17. Q: Which artist would you like to work with and why?

  18. A: David Bowie: visionary, pioneer, genius.

  19. Q: How would you describe your style?

  20. A: Musical.

  21. Q: What was your career path? How long have you been doing this?

  22. A: Studio technician at my college 30 odd years ago, then a studio engineer in a pro studio. Mastering engineer for over 20 years in a pro studio!

  23. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  24. A: A guitar, so I could learn it. A mic so I could amp it. Some massive speakers so I could hear it. A DAW so I could record it. A boat so I could leave it...

  25. Q: What advice do you have for a customer looking to hire a provider like you?

  26. A: This process is creative, find someone that fits your style or is enthused by your project and willing to work at it.

  27. Q: What questions do you ask prospective clients?

  28. A: Do you have references of material so I can get into your headspace and understand where you like your music.

  29. Q: What's the biggest misconception about what you do?

  30. A: Loud. It's irrelevant. In 10 years time who issuing to want to hear distorted music for the sake of a few DB's?

  31. Q: What questions do customers most commonly ask you? What's your answer?

  32. A: Q.How fast can you do it? A.I'll find time. Q.Can it be louder? A.Let's discuss...

  33. Q: What do you like most about your job?

  34. A: Different music.

  35. Q: What's your 'promise' to your clients?

  36. A: To do my best to make you happy with your music.

  37. Q: Analog or digital and why?

  38. A: Both have their merits and they pitfalls, don't get hung up about it. Whatever is required to get the right result should be all that counts.

  39. Q: What are you working on at the moment?

  40. A: 3 albums, 2 singles, and 2 EP's...

  41. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  42. A: Matt Deighton - Doubtless Dauntless: Mastering Gary numan - Dance: Mastering A couple of albums from last year that I really enjoyed the process.

Gear Highlights
  • Experienced Ears
  • Accurate Monitoring
More Photos
SoundBetter Deal

$5 off mastered tracks (reduced to $30.00 from $35.00)