Mix, Master, Compose, Edit

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

A: "Volition" by Protest The Hero, which I had the privilege to help produce, and mix, was honored as the best rock recording of that year. Additionally, working on DVBBS's "INITIO" was a defining moment for me, marking the beginning of a long and successful journey in music. Also, "The Shape Of Colour" by Intervals, because it was a pleasure to listen to while working on.

Q: Is there anyone on SoundBetter you know and would recommend to your clients?

A: Anyone who not only works for you but with you, fostering a collaborative partnership.

Q: Analog or digital and why?

A: Both. Analog for fun & digital for speed and sonic accuracy.

Q: What do you like most about your job?

A: I really enjoy teaming up with folks who've got a fire for what they do, and getting to dial in some magic with my analog gear just adds to the vibe.

Q: What questions do customers most commonly ask you? What's your answer?

A: QUESTION: Can you show me some similar sounding records you've worked on? ANSWER: I can showcase similar projects I've worked on; however, it's important to note that these examples won't dictate the exact outcome of your record. Each project is distinctly unique, and my role is to identify and amplify the strengths in your recordings, ensuring your record achieves its fullest potential.

Q: What's the biggest misconception about what you do?

A: Enhancing the volume of a specific instrument within an existing mix is only possible if I have access to the individual stems.

Q: What questions do you ask prospective clients?

A: 1.What equipment was utilized for recording your audio? 2.Is there any processing applied to the audio? If yes, please specify. 3.Are the stems I'm receiving maintained at their original recording levels? 4.Could you provide reference tracks from another artist to clarify your vision and goals? 6.Are all files labeled accurately and clearly?

Q: What are you working on at the moment?

A: Working on my own music exclusively and working with sound-better to help up and coming artists!

Q: What's your 'promise' to your clients?

A: If i can't achieve your vision, i wont charge you.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Seek out someone who not only grasps your vision but is committed to realizing it. Choose a collaborator who prioritizes your needs over mere compensation. The industry is filled with passionate and skilled individuals—invest the time to find the perfect match for your project.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: 1. Macbook pro 2. WA-87V 3. UA-6176 4. Apollo Twin MK2 5. Midi Keyboard

Q: What was your career path? How long have you been doing this?

A: I've been actively involved in the music industry since the age of 15—so, quite a long journey.

Q: How would you describe your style?

A: I appreciate all music genres and possess a laid-back demeanor. My aim is to ensure clients are delighted with the work I deliver, always hoping to bring a smile to their faces.

Q: Which artist would you like to work with and why?

A: Throughout my career, I've had the incredible opportunity to collaborate with many artists I've long admired. If I had to choose a standout, it would likely be Justice, whose work has significantly influenced my own.

Q: Can you share one music production tip?

A: Prioritize cutting unnecessary frequencies in a mix before considering any boosts.

Q: What type of music do you usually work on?

A: My work transcends specific genres, having collaborated with world-renowned artists across the spectrum—from writing and production to mixing and mastering.

Q: What's your strongest skill?

A: My expertise lies in utilizing frequencies and volume to achieve the perfect mix balance. With a wealth of experience in both classic and modern audio equipment and plugins, I'm adept at fulfilling any sonic requirements my clients may have.

Q: What do you bring to a song?

A: Leveraging my expertise and experience, I possess the ability to breathe life into a song, enhancing its "feel" or intensifying its impact according to the genre's demands. My approach involves meticulously sonically balancing the track to ensure optimal performance across any playback system, delivering a seamless listening experience.

Q: What's your typical work process?

A: I wake up around 5 am, brew a large pot of coffee, and begin sifting through stems. My workflow is highly efficient, allowing for quick turnarounds. Typically, I listen to the song or tracks several times before making any adjustments, using client-supplied references to fully grasp their vision for the song's final sound.

Q: Tell us about your studio setup.

A: Custom built mixing studio with custom furniture. Room was accurately measured and corrected using my own proprietary technology method. Using a custom built mac pro replica and the best monitoring money can buy ( in my opinion )

Q: What other musicians or music production professionals inspire you?

A: Manny Marroquin, Chris Lord-Alge, Gene Paul, Jaycen Joshua, Dave Pensado, Marcella Araica, Mark Needham, Bob Clearmount, Jimmy Hoyson, Arthur Kendy, Jay Messina, Mickey Petralia, Scott Humphrey, Ted Bruner, Justin Niebank, Brendan O'brain, Frank Filipetti, Steve Power, Greg Wells, Lotek, Dave Atkins, Charles de Montebello, Robert Carranza, Danny Kadar, Howard Redekopp

Q: Describe the most common type of work you do for your clients.

A: I try to deliver mixes and masters that my clients are very excited about.