Raffaele Rossi

R-MasterLab Mix & Mastering.

Raffaele Rossi on SoundBetter

I am a mastering engineer, I have been working on this job for many years taking care of vinyl recordings, streaming and record labels. I am always available to meet customer needs.

I am a mastering engineer, I have been working on this job for many years taking care of vinyl recordings, streaming and record labels. I am always available to meet customer needs.

My equipment; Studio One, Wavelab, Spectral Layer Pro, Izotope RX, Tc Electronics Loudness Correct, Clarity M.
High definition audio system.
Plugins: Acustica Audio, Waves, Softube, Sonnox, SSL and manny more.
I am an official Apple Digital Master certified.

Price List:
Stereo Mastering (1 / 2 Stems) $ 50
Stem Mastering (Up to 8/10 Stems) $ 60
Stem Mastering (Up to 16 Stems) $ 100
Mixing $ 150
Mixing and Mastering $ 180
Contact me through the green button above and let's get to work.

Discounts for regular customers and quantities.

To listen to some of my works, go to www.rmasterla.com or you can find my playlist on spotify; Mastered By R-MASTERLAB

Contact me through the green button above and let's get to work.

Interview with Raffaele Rossi

  1. Q: What advice do you have for a customer looking to hire a provider like you?

  2. A: Leave some blank space at both the beginning (to preserve early transients) and at the end (to let the long reverb tail decay naturally) of your track. I can make discounts for multiple songs or for continuous work or if you become a regular customer. If you can export 32-bit tracks I don't care about the headroom, it's because, thanks to that format. the dynamic range is almost unlimited. I'm afraid they are not already over-compressed, I need a RMS of at least -8dB, preferably -10dB. You will again have a 16bit Wav file suitable for digital distribution but, if you request it, also a 24bit and / or MP3 file. Certainly if there are aspects of my mastering that do not satisfy you, you will report what you do not like and we will find a way to solve it together. Also, if you have reference tracks that your tracks must look like, please give them to me.

  3. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  4. A: One of the works I'm particularly proud of is the album I mastered for Noiutéka Collective. A collective of London artists in which in a single album they blend many musical genres ranging from RnB, Trap. Hip Hop etc.

  5. Q: What's your 'promise' to your clients?

  6. A: The promise I often make is to have a sound like their favorite referance.

  7. Q: What questions do customers most commonly ask you? What's your answer?

  8. A: In what format do you need the song and how will it be completed? A: I need the files in WAV, AIF or BWF at the same sample rate used in your work session, for example 44.1, 48, 88.2, 96 kHz etc, and with a resolution of at least 24 bits thank you.

  9. Q: What was your career path? How long have you been doing this?

  10. A: I have been working in the post production and mastering field for 12 years.

  11. Q: What type of music do you usually work on?

  12. A: Thanks to my studies and a degree in sound engineering, I was able to know any problem that can be found in any genre

  13. Q: What's your strongest skill?

  14. A: Attention to detail is my first goal

  15. Q: What do you bring to a song?

  16. A: For me it is essential to obtain a detailed and defined sound but surprisingly complete in all frequencies.

  17. Q: Tell us about your studio setup.

  18. A: I work mainly ITB (In the box) this choice falls in the fact of being able to have more versatility in my workflow by combining the best tools for a completely unique, three-dimensional and enveloping sound. I mainly rely on audio acoustic products that I have been beta tester for Erin, combined with other tools such as Plugin Alliance and SSL and many others such as; Brainworx, Elysia, Softube, DMG, TC Electronic, Sonnox, Waves ...

  19. Q: Describe the most common type of work you do for your clients.

  20. A: The work that I am often asked to do is mastering mainly for streaming and often for vinyls. But those who need help are open to mixing and stem mastering.

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Mario Deep

I was the Mix and Mastering in this production

Terms Of Service

Three revisions allowed. Master for itunes has a separate cost, vinyl cutting has a separate cost. High resolution file available included in the price. All tracks include proprietary FHP treatment.

Gear Highlights
  • Apogge
  • Tc electronic Clarity M Stereo
  • Hifi Audio
  • Wavelab Pro
  • Studio One
  • Ableton
  • Spectral Layer Pro
  • Acustica audio (betatest)
  • Plugin Allianace
  • SSL Plugin Souite
  • LC2N Loudness Correct
  • Acustica Audio Modula System
More Photos
SoundBetter Deal

Discounts for regular customers and quantities