Gergely Galgoczi on SoundBetter

I have 12 years of experience in sound mixing, mainly at live shows. You can support me during these CoVID-19 times as a mixing engineer. Will give you a fair offer, and you can be assured your mix will sound professional.

My experience lays in acoustic instruments, and I also like to listen to vocals blending together wonderfully. In the past I've worked a lot with gospel choirs and contemporary worship music in the live scene, but will do anything from soft rock to classical music as well!

I use ATC monitors for my monitoring setup. ATC, Acoustic Transducer Company, is a specialist British manufacturer of loudspeaker drive units and complete sound reproduction systems, including the relevant electronic equipment. All systems and components are designed and built in-house, to achieve levels of performance far in excess of the industry norm. That is the reason why I decided to work with ATC monitoring system in my setup.

UAD plugins emulate the world's most sought after and renowned vintage gear, and can help to elevate your song to new levels. Without them, I would not be able to deliver the clear high-fidelity sound we are both after. :)

Shoot me a message and see what we can do.

Send me an email through 'Contact' button above and I'll get back to you asap.

1 Reviews

Endorse Gergely Galgoczi

by Sam T Rajkumar
I really loved how Gergely involved in helping with my song... He was kind and patient enough giving me suggestions and ideas to improve the song. He also worked on tracks individually and the instruments and vocals sounded really great after his mixing. I highly recommend him for your mixes. God bless you man!

Interview with Gergely Galgoczi

Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Mixing a famous Hungarian artist's live concert, in front of hundreds of people. Was a last-hour call, and turned out so well. :)
Q: Analog or digital and why?
A: I like the efficiency of digital. You gotta solve what you can, and give the analog treatment if it's still in a lack mojo.
Q: What's your 'promise' to your clients?
A: I'm going to work to bring out what you are after, from all of your tracks.
Q: What do you like most about your job?
A: Decreasing clutter, pointing out and solving flaws, errors, and mistakes, and blending it all like glue. Making an inspiring order out of detuned chaos.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: ATC SCM50 monitors, an Avocet monitor controller, a piano, my drum set, and an EPIRB buoy. After all, you never know when the crave for civilisation may hit you. :-)
Q: What was your career path? How long have you been doing this?
A: Since the age of thirteen :) I've been involved in church music first, then started to explore other genres from jazz to fusion.
Q: Which artist would you like to work with and why?
A: Abe Laboriel, and Josh Groban.
Q: What type of music do you usually work on?
A: My favourites are songs with instruments. It may be anything from an EDM with a sassy saxophone score through a modern fusion record to an orchestral piece.
Q: What's your strongest skill?
A: Picking out nuances and synchronising details.
Q: What do you bring to a song?
A: I help the artist's concept conceive - to come alive from between the tracks and emerge into a coherent monolith of tone.
Q: Tell us about your studio setup.
A: I own the most transparent monitoring system on the planet. Nothing comes close to ATCs. Their superlinear mids and lows make outright the absolute difference in tone and the amount of distortion levels. (or rather, lack thereof) I work in the box as of now, but use the cream of UAD plugins, with jewels like Massenburg, FATSO, Distressor, all the classic analog type gear emulations, along with a handful of other native SSL plugins and so.
Q: What other musicians or music production professionals inspire you?
A: I like the style, and music of Michael W. Smith, and other famous gospel singers. I love the blending melodies of Gaither Vocal Band, and the well-lit compositions of Robi Botos for instance. (seriously, check him out)

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