Dedicated composer and audio engineer with 17 years of experience creating and producing music and sound for a variety of projects, including film, television, and live events.
Skilled in using industry-standard software and equipment to record, mix, and master audio, as well as composing music in a variety of styles and genres. Strong understanding of music theory and sound design principles, with a keen ear for detail and a commitment to delivering high-quality results. Seeking new opportunities to collaborate with artists and producers, and contribute my skills to create exceptional music and sound.
Send me a note through the contact button above.
Credits
- Run On Sentence
- Mark Mandeville
- Austin Miller
- Billy Mack Collector
- Lewis Knudsen
- Robyn McVey
- The Murrays
- Noa Babayof
- So Lavish Music Group
- Justin Moyar
- The Whittles
- Travis Owen
- Dirt Simple
- Parajita
- Amy Porterfield Podcast
- Accellerated Readers
- Propeller
- Crickets Make Math
- Todd Robinson
- Yellow Kites
- Sriracha Chakra
- Kendra Swanson
- Marques Morrell
- Ken Hardley and the Henways
- Trendolinburg
- Truffelina
- Plethra
- Boog
- Matthew Fowler
- Xavii
- Anna May Kersey
- Vulpine Smile
- Jensyn Rudolf
- Ron McEntire
- Goldvoyce
- Jerry Fels
- Smackdab
- Roomfull of Strangers
- Supa Dupa
- Fang Noir
- To The Sky
- Sarah Winters
- Shawn Wilder
- Caleb Pangborn
- Small Houses
- Jacinta Whitcome
- Jean Paul Jeremy Quartet
- Diatomaceous Earth
- Cobra Brothers
- Cult of Riggonia
- VICELAND
Interview with Christopher Bell
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: My favorite project was working with a math teacher in her 50's make her first album ever. I tracked, played a couple instruments on, mixed and mastered the album. The joy on her face when we finished, it was the best.
Q: What are you working on at the moment?
A: Mixing three bands right now, one each in Los Angeles, Nashville and, Allentown, PA and Mastering a rapper out of LA as well.
Q: What was your career path? How long have you been doing this?
A: I graduated in 2006 with an Associates in Recording Arts and Bachelors in Entertainment Business at Full Sail University. In the 10 years since, I have continued my education, dedicating time to further my knowledge via conferences, private sessions, and online video tutorials.
Q: Describe the most common type of work you do for your clients.
A: Mostly I do remote mixing and mastering with occasional cello studio work.
Q: What do you like most about your job?
A: I love that I get to work with people, to help them sound their best, to express themselves.
Q: What questions do you ask prospective clients?
A: What are your goals with this project? What can I do to help you achieve them?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Ask me questions, that's why I am here.
Q: Which artist would you like to work with and why?
A: I want to work with anyone that I can learn from.
Q: What do you bring to a song?
A: My goal is to find out the essence of your music and style and bring them to the forefront, to help you make the best songs you can.
I was the Mixing and Mastering Engineer in this production
- Mixing EngineerContact for pricing
- Mastering EngineerAverage price - $30 per song
- Time alignment - QuantizingAverage price - $40 per track
- Vocal compingAverage price - $40 per track
- Dialogue EditingAverage price - $50 per minute
- String ArrangerAverage price - $70 per song
- CelloAverage price - $25 per song
- I will provide you with 1 FREE revision, (additional edits available per fee).
- Avg. turnaround time is 5-7 business days.
- 50% payment requested upfront (non-refundable).
