Music producer & mix engineer working between LA & Nashville.
I am a music producer, writer, and mix engineer. After spending 3 years in Nashville I recently made the move to Los Angeles and built a studio specifically for mixing, writing, and vocal tracking in the North Hollywood Arts District. I specialize in pop and edm writing, topline writing, track building, producing, ghost producing, vocal tracking, remixing, and mixing. Currently spending a lot of time in the future bass and future pop sound. I take a very simple approach to everything, less is usually more when it comes to production and mixing. Hit me up and let's see if working together would be a good fit!
Send me an email through 'Contact' button above and I'll get back to you asap.
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Interview with Luke Libby
Q: Describe the most common type of work you do for your clients.
A: I spend most of my time composing and producing full tracks, including tracking, editing, and mixing everything in the project.
Q: Tell us about your studio setup.
A: I work on my MacBook Pro with an Apollo 8 Quad and a pair of Neumann kh80's. I like having a small, mobile setup as I travel a lot for work. I also have another setup in Nashville for mixing and mastering with B&W 683 monitors and RealTraps Acoustics.
Q: What's your typical work process?
A: If I'm composing/producing a full track I always start out on piano and write it acoustic, then put whatever topline I'm thinking of over it. If the song can hold up acoustic and be solid, it'll hold up when it's fully produced.
Q: What type of music do you usually work on?
A: EDM, Pop
Q: Which artist would you like to work with and why?
A: I'd like to collab with Anton Zaslavski (Zedd). His mixes are top and his writing is excellent.
Q: What other musicians or music production professionals inspire you?
A: Mix wise I always strive for that super full and clean Pop-Hollywood sound, mixes that guys like Serban Ghenea or Luca Pretolesi achieve.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Be detailed when sending out proposals to producers. It's much easier for me to paint a picture of who you are as an artist and what you're looking for from me when I have even just a little bit of detail.
Q: What's the biggest misconception about what you do?
A: Ha. Family & friends have come to their own conclusion that I don't work. No joke, they think I just spend 14 hours a day lying around and sleeping in my studio or something.
Q: What do you like most about your job?
A: Everything. I'm addicted to production. I love traveling too.
Q: What's your 'promise' to your clients?
A: I only work with people I know will be a good fit so that I can keep the promise of excellent work on every single project I do.
Q: Analog or digital and why?
A: A little of both. Turning real knobs is fun, sounds good. Digital is portable, quick, and sounds just as good pretty much every time.
Q: Can you share one music production tip?
A: Push your production further than you think you can.
Q: How would you describe your style?
A: Forward thinking.
Q: What are you working on at the moment?
A: Prepping a catalog of tracks and remixes for a duo that I'm going to be a part of in the new year.