I'm experienced result-driven Mixing and Mastering Engineer, strong attention to the details and extensive knowledge of music production. My credits are - Morgenshtern, Slava Marlow, Klava Koka, White Punk, Rocket, ST, Vacio, Rita Dakota, Pizza, Gunwest, Tim3Bomb and more. I worked on TV shows - Pesni TNT 1, Pesni TNT2. Mixing and mastering music
Credits:
Morgenshtern, Slava Marlow, Klava Coca, Rita Dakota, Pizza, White Punk, Rocket, Vahtang, Igor Rybakov, Paul Murashov, Fidelle, ST, Dana Sokolova and many more
Tell me about your project and how I can help, through the 'Contact' button above.
Credits
Languages
- English
- Russian
Interview with Mikhail Sidorov
Q: Analog or digital and why?
A: Both of this worlds, analog got its magical character, digital - 100% recallable and fast tweaking
Q: What's your 'promise' to your clients?
A: I’ll come tomorrow with the result:)
Q: What do you like most about your job?
A: A chance to create
Q: What questions do customers most commonly ask you? What's your answer?
A: Who i was been working with
Q: What questions do you ask prospective clients?
A: What they are going for, what you like about your demo, what you dont. Show me your references.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Bring your session committed with Fx’s that you get used to
Q: What was your career path? How long have you been doing this?
A: I was doing it for 7 years
Q: How would you describe your style?
A: Punchy and wide
Q: Which artist would you like to work with and why?
A: Kendrick Lamar.)
Q: Can you share one music production tip?
A: Experiment adding a little bit of big or small reverbs on almost everything to glue things together, try adding sidechain to it. Sometimes it could help you, giving your song 3D.
Q: What type of music do you usually work on?
A: Trap, pop, pop-rock, dance music usually
Q: What's your strongest skill?
A: To do things fast and to know where to stop.
Q: What do you bring to a song?
A: Sometimes the song is almost there, so the less you will bring - the better would be a result. Sometimes you need to make a lot, glue everything together, add punch, clarity, dimension, make song wide and big. I like to give each song its personal character.
Q: What's your typical work process?
A: I have template, which i use for 5 years, so i can do my mixing quite fast. It depends on the project. I’m a/b-ing a lot with the demo or the ref. I have all the tools, that i get used to, so i can use the to bring your song to the next level.
Q: Tell us about your studio setup.
A: I’ve been working in our teams (kossound.com) room for 6 years. Its good sounding room actually. We got Barefoots MM 27 gen 2 as mains. Also we use Auratones, NS10’s. We are working in Pro Tools, with all todays favourites plugins. We use some outboard gear - Chandler Curve Bender, Black Box. We have Studer A80 tape.
Q: What other musicians or music production professionals inspire you?
A: A lot of great artists, producers, engineers inspire me. One of the most is Mike Dean, i think.
Q: Describe the most common type of work you do for your clients.
A: Usually its mixing and mastering services. I also record a lot. All types of editing and restoration. Making beats. Songwriting.
- Mixing EngineerAverage price - $400 per song
- Mastering EngineerAverage price - $70 per song
- Time alignment - QuantizingAverage price - $40 per track
- Vocal TuningAverage price - $40 per track
- Vocal compingAverage price - $40 per track
DM for more info
Or
Book a session +7 926 676 73 29
- Baerfoot MM27gen2
- Yamaha NS10
- Westlake
- SSL6000E
- Black Box
- Chandler Curve Bander
- Prism Sound
- Studer A80 etc