I am a musician/ producer and have over 20 years experience working with many internationally recognised musicians. I will mix your tracks so they can compete sonically with other records. We can set up a call to find out what you are committed to with your music and how you would like it to sound.
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Credits
AllMusic verified credits for Steve Lovell- Blur
- Blur
- Morten Abel
- Nine Ways to Win
- Blur
- Random Hold
- A Flock of Seagulls
- A Flock of Seagulls
- A Flock of Seagulls
- The Lucy Show
- The September When
- Morten Abel
- Morten Abel
- A Flock of Seagulls
- Tuffy
- Tuffy
- Tuffy
- Tuffy
- Tuffy
- Blur
- Julian Cope
- Blur
- Holly Johnson
- Holly Johnson
- Holly Johnson
- Railway Children
- Railway Children
- Julian Cope
- The September When
- Sultans of Ping F.C.
- Blur
- Sultans of Ping F.C.
- Julian Cope
- The Teardrop Explodes
- Julian Cope
- The Teardrop Explodes
- Samantha Fox
- Blur
- Julian Cope
- Railway Children
- Railway Children
- Holly Johnson
- Holly Johnson
- Holly Johnson
- Holly Johnson
- Samantha Fox
- Easterhouse
- Easterhouse
- A House
- James
- Samantha Fox
- A Flock of Seagulls
- The Lucy Show
- Samantha Fox
- Julian Cope
- Julian Cope
- Julian Cope
- A Flock of Seagulls
- Julian Cope
- Julian Cope
- Julian Cope
- Julian Cope
- Julian Cope
- Julian Cope
- Steve Lovell
- Robbie Williams
- Lake Highlands High School Symphonic Band
- Steve Lovell
- The September When
Interview with Steve Lovell
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Julian Copes ‘Fried’ as I produced it in 1984 but it is still available and doesn’t sound like an 80’s record. Blurs ‘Villa Rosie’ as it sounds fully realised and Still sounds good.
Q: What are you working on at the moment?
A: I have just completed a solo album for my wife. I am mixing an album for a male singer songwriter and producing and mixing an album for a female singer songwriter.
Q: Analog or digital and why?
A: Analog for the sound, digital for convenience.
Q: What's your 'promise' to your clients?
A: I won’t give up!
Q: What do you like most about your job?
A: I love leaving musicians thrilled with the results. I love hearing the track fully realised and sparkling.
Q: What questions do you ask prospective clients?
A: What music do they listen to and why did they choose me.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: An IPad Pro with Cubasis and mastering apps. Then I could sit on a rock overlooking the sea creating music.
Q: What was your career path? How long have you been doing this?
A: I was a record producer for over 20 years retired and now work from home. I am in the process of setting up a record label CowChow records. I currently have 4 musicians making music for the label.
Q: Which artist would you like to work with and why?
A: Kate Bush. She’s a genius and composes and records great tracks but makes lousy albums!
Q: Can you share one music production tip?
A: Don’t be too eager to stamp your authority on the track. Be sensitive to what’s been recorded. Sounds in isolation may not need eq’ing in the track.
Q: What type of music do you usually work on?
A: All genres but I have mainly worked with singer songwriters and guitar bands
Q: What's your strongest skill?
A: Creating a track that satisfies the artists and sounds fully realised and competes with other records in apparent volume and size.
Q: What do you bring to a song?
A: I am a musician so bring musicality whoever possible to the mix
Q: What's your typical work process?
A: I do a quick un eq’ed balance of the track with no fx, compression etc to get a feel for what’s been recorded. I then start mixing bring in eq where necessary and reverbs etc. I then spend sometimes hours sometimes days mixing.
Q: What other musicians or music production professionals inspire you?
A: Brian Wilson. Joe Boyd, Andy Wallace,
Q: Describe the most common type of work you do for your clients.
A: Mixing and mastering
I was the Producer Mixer Madterer in this production
20% Discount on mixes