Steve Lovell

I mix and master

Steve Lovell on SoundBetter

I am a musician/ producer and have over 20 years experience working with many internationally recognised musicians. I will mix your tracks so they can compete sonically with other records. We can set up a call to find out what you are committed to with your music and how you would like it to sound.

Click the 'Contact' above to get in touch. Looking forward to hearing from you.

AllMusic verified credits for Steve Lovell
  • Blur
  • Blur
  • Morten Abel
  • Nine Ways to Win
  • Blur
  • Random Hold
  • A Flock of Seagulls
  • A Flock of Seagulls
  • A Flock of Seagulls
  • The Lucy Show
  • The September When
  • Morten Abel
  • Morten Abel
  • A Flock of Seagulls
  • Tuffy
  • Tuffy
  • Tuffy
  • Tuffy
  • Tuffy
  • Blur
  • Julian Cope
  • Blur
  • Holly Johnson
  • Holly Johnson
  • Holly Johnson
  • Railway Children
  • Railway Children
  • Julian Cope
  • The September When
  • Sultans of Ping F.C.
  • Blur
  • Sultans of Ping F.C.
  • Julian Cope
  • The Teardrop Explodes
  • Julian Cope
  • The Teardrop Explodes
  • Samantha Fox
  • Blur
  • Julian Cope
  • Railway Children
  • Railway Children
  • Holly Johnson
  • Holly Johnson
  • Holly Johnson
  • Holly Johnson
  • Samantha Fox
  • Easterhouse
  • Easterhouse
  • A House
  • James
  • Samantha Fox
  • A Flock of Seagulls
  • The Lucy Show
  • Samantha Fox
  • Julian Cope
  • Julian Cope
  • Julian Cope
  • A Flock of Seagulls
  • Julian Cope
  • Julian Cope
  • Julian Cope
  • Julian Cope
  • Julian Cope
  • Julian Cope
  • Steve Lovell
  • Robbie Williams
  • Lake Highlands High School Symphonic Band
  • Steve Lovell
  • The September When

Interview with Steve Lovell

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: Julian Copes ‘Fried’ as I produced it in 1984 but it is still available and doesn’t sound like an 80’s record. Blurs ‘Villa Rosie’ as it sounds fully realised and Still sounds good.

  3. Q: What are you working on at the moment?

  4. A: I have just completed a solo album for my wife. I am mixing an album for a male singer songwriter and producing and mixing an album for a female singer songwriter.

  5. Q: Analog or digital and why?

  6. A: Analog for the sound, digital for convenience.

  7. Q: What's your 'promise' to your clients?

  8. A: I won’t give up!

  9. Q: What do you like most about your job?

  10. A: I love leaving musicians thrilled with the results. I love hearing the track fully realised and sparkling.

  11. Q: What questions do you ask prospective clients?

  12. A: What music do they listen to and why did they choose me.

  13. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  14. A: An IPad Pro with Cubasis and mastering apps. Then I could sit on a rock overlooking the sea creating music.

  15. Q: What was your career path? How long have you been doing this?

  16. A: I was a record producer for over 20 years retired and now work from home. I am in the process of setting up a record label CowChow records. I currently have 4 musicians making music for the label.

  17. Q: Which artist would you like to work with and why?

  18. A: Kate Bush. She’s a genius and composes and records great tracks but makes lousy albums!

  19. Q: Can you share one music production tip?

  20. A: Don’t be too eager to stamp your authority on the track. Be sensitive to what’s been recorded. Sounds in isolation may not need eq’ing in the track.

  21. Q: What type of music do you usually work on?

  22. A: All genres but I have mainly worked with singer songwriters and guitar bands

  23. Q: What's your strongest skill?

  24. A: Creating a track that satisfies the artists and sounds fully realised and competes with other records in apparent volume and size.

  25. Q: What do you bring to a song?

  26. A: I am a musician so bring musicality whoever possible to the mix

  27. Q: What's your typical work process?

  28. A: I do a quick un eq’ed balance of the track with no fx, compression etc to get a feel for what’s been recorded. I then start mixing bring in eq where necessary and reverbs etc. I then spend sometimes hours sometimes days mixing.

  29. Q: What other musicians or music production professionals inspire you?

  30. A: Brian Wilson. Joe Boyd, Andy Wallace,

  31. Q: Describe the most common type of work you do for your clients.

  32. A: Mixing and mastering

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