Living entrepreneurially is about working smarter and living better. A freelance audio engineer, Oscar Romero spent time developing a sonically trained ear to chase his call, one that doesn’t involve climbing the corporate ladder instead, build a pathway toward success, and insure that ordinary sound waves meet the extraordinary.
I've logged hundred of hours doing everything related to the sound editing, ADR, mixing, mastering, EQ, compression, sound design, backgrounds, foley, and even organize sound libraries. I'm also very familiar with any DAW's such as Pro tools, Ableton, Logic, or just about anything that can be beneficial to the final product. I've specifically been hired to work on dialogue, and sound design for feature films and have provided quality sound for my clients and now that you know a little bit of me; I know that I could be a valuable asset to help you and bring to the table all of the skills that are required.
Tell me about your project and how I can help, through the 'Contact' button above.
Credits
Interview with Oscar Romero
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: The role I currently posses is part of the hard work spent on my craft and working with major artist like member from Wu-tang, Immortal Technique, Black Knights, Planet Asia, Medusa, Tragedy Khadafi, and more is definitely something to be proud of.
Q: What are you working on at the moment?
A: There are several project on the plate right now in which, are both in different fields. The most recent project is working on the Circle of Iron for Iron Sheik from Wu-Tang. Secondly, I just finished working on a major vietnamese feature film and provided with dialogue editing.
Q: Analog or digital and why?
A: I tend to use both analog and digital because I like the warmth and the clarity.
Q: What's your 'promise' to your clients?
A: The number one goal, is to provide top of the line quality with a timely manner.
Q: What was your career path? How long have you been doing this?
A: It's been a solid 5 years providing services as a recording and mixing engineer but I generated this passion by doing live sound at my local church.
Q: How would you describe your style?
A: I'm a soulful/jazz type of a person because it tend to enjoy situations that are genuine in which is like jazz, all about the feeling.
Q: Can you share one music production tip?
A: Invest in creating a great recording, and mixes. Don't be scared to invest in your product.
Q: What type of music do you usually work on?
A: I usually work on hip-hop, R&B, jazz, rock, contemporary worship, spanish music, etc.
Q: What's your strongest skill?
A: Over the past 5 years I've been in both film and music business. It have without a doubt enhanced me to be a better audio engineer by being proficient in my career.
Q: What do you bring to a song?
A: Every group has tone/style that they aim to achieve and it's my job to portray that through sonic sound wave. The song's will be mixed uniquely and most importantly I'll bring out the character of the song throughout every measure.
Q: What's your typical work process?
A: Every project contains a different workflow but they all get finalized and ready for distribution.
Q: Describe the most common type of work you do for your clients.
A: The typical day varies from dialogue editing, sound effect, ADR, foley, noise reduction, mixing, and sound design.
- Mixing EngineerAverage price - $200 per song
- Sound DesignAverage price - $100 per minute
- Mastering EngineerContact for pricing
- Recording StudioAverage price - $400 per day
- EditingAverage price - $40 per track
- Vocal TuningAverage price - $40 per track
- RestorationAverage price - $75 per hour
