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Reviews (1)Endorse Onur
Interview with Onur
Q: How would you describe your style?
A: I'm always concerned about "how the audience would percept this song if they were in the recording room"
Q: Which artist would you like to work with and why?
A: I'd like to work with singer/songwriter genre musicians like Glen Hansard and Damien Rice or maybe with a virtuosso like Andy McKee because lesser the musical source, the bigger I can make.
Q: Can you share one music production tip?
A: Turn the knob all the way up and down at every step to be sure what you're doing.
Q: What type of music do you usually work on?
A: It depends actually but I'm usually working on classical stuff, prog rock, electronic and folk music.
Q: What's your strongest skill?
A: I'm really excelled at stereo recording.
Q: What do you bring to a song?
A: I like wholeharted mixes. It means if a song needs to be a little dirty I won't hesitate to do so. Not every production needs crystal clearness you know. Whatever is giving the feeling the artist intends to do in the first place goes.
Q: What's your typical work process?
A: Half of the time I'm recording musicians at my recording room. Other half of the time I'm mixing and revising the mix with the musicians.
Q: Tell us about your studio setup.
A: I'm using KRK V8's as my monitors and got a Yamaha O2R mixer. I've got Neumann U89 and TLM 170, 3 AKG SE391B's (blue line series), pair of SM 57 and 58's, and AKG D112 at my studio. I also have access to Istanbul Technic University's MIAM Studio which is probably the best in Turkey.
Q: What other musicians or music production professionals inspire you?
A: Musicians who knows how the work "behind the glass" is done. Like Radiohead maybe. But my biggest inspirations are my teachers Pieter Snapper and Can Karadoğan
Q: Describe the most common type of work you do for your clients.
A: I'm mostly doing stereo recordings of ensembles and overdubs for pop and folk music