Ready to lend my trained ear to help you create your best art. After working on many sides of music from performing, to songwriting, to mixing live and in studio, I am confident in my ability to polish projects and deliver professional and technically precise mixes. Accessible pricing and easy negotiation!
I have a Bachelor's Degree in Music & Technology, where I learned and honed skills from industry professionals. I am passionate about every project I work on and will continue to adapt and work until the client is happy. My experience in many different sides and genres of music equip me to understand a wide variety of creative visions and to bring artists ideas to fruition.
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Interview with Kiera Dillon
Q: What type of music do you usually work on?
A: I typically work on indie pop/bedroom pop music.
Q: Describe the most common type of work you do for your clients.
A: Currently, I am doing a lot of Audio Editing/Clean Up for virtual music projects (choirs, musicals, etc). Including noise reduction, pitch correction, and full mix/master.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I released my debut pop-album, entirely produced, written, and released by me. Being involved in so many different aspects of this studio album offered great insight into every side of music and helped me develop my skill set and workflow.
Q: What are you working on at the moment?
A: Currently working on a full length pop album. The first single, Naive, is out everywhere!
Q: What was your career path? How long have you been doing this?
A: As a recent graduate with a Bachelors degree in Music and Technology, I have been honing my music production skills for 4 years, but have been a singer/musician my whole life.
Q: Can you share one music production tip?
A: Know when to stop. Its so easy to over produce a track, but the authenticity or emotion of a track can be lost if you don't know when to be finished.
Q: Tell us about your studio setup.
A: I mix on ProTools 12 with Yamaha HS Studio Monitors and Sennheiser HD 280 Pros. Vox recorded on a Rode NT1A Condenser.