
High-end Mixing & Mastering Engineer specializing in music and film sound, including Dolby Atmos projects for artists worldwide.
High-end mixing, mastering and Dolby Atmos services for artists worldwide.
I’m Tomo B. Lima (Tomo Bačurin), producer, composer and engineer with 25+ years of experience in music and film.
My work includes collaborations with Grammy-nominated, multi-platinum and Emmy-winning creatives, as well as international artists.
Focused on delivering clean, balanced and release-ready sound.
Based in Zagreb, working with clients worldwide.
Would love to hear from you. Click the contact button above to get in touch.
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Interview with Tomo B. Lima
Q: Analog or digital and why?
A: I prefer a hybrid approach. Both analog and digital have their own strengths, so why not use the best of both worlds? To me, it’s not really about one being better than the other — it’s all about taste and what serves the song. I love the warmth, saturation, and character you get from analog gear, but digital gives me the precision, recall, and flexibility I need. Hybrid just feels like the sweet spot for me.
Q: What's your 'promise' to your clients?
A: My promise to every client is simple: I will do whatever it takes to make your music sound its absolute best. I don’t stop until it feels right — no matter how long it takes. Your music deserves that level of care, and I’m fully committed to delivering it.
Q: What do you like most about your job?
A: What I love most about my job is mixing. After the recording and editing are finished, I get to take all the tracks and start building the soul of the song. That’s where the atmosphere is created, where the magic happens. It’s my favorite part of production — turning raw tracks into a cohesive, emotional piece of music.
Q: What questions do customers most commonly ask you? What's your answer?
A: Why shouldn't I book the studio per hour and hire you per project instead? Without an experienced producer, you're condemned to wonder through recording and mixing sessions for ages. There have been so many bands and musicians which thought they could do the most of the things themselves and ended up wasting hours of studio time with no outstanding results Can you make me sound better than I really do? Technically I can, but the point of a great production is to make you sound like you do in reality, especially when it comes to catching up the personality in your performance.
Q: What questions do you ask prospective clients?
A: My clients differ a lot and they usually know what they want so it's tough to have a specific question to be asking everyone. The most common of my questions is probably "When do you need it done?"
Q: What advice do you have for a customer looking to hire a provider like you?
A: Talk about as much details as possible with your producer, and then trust him with his expertise.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: First I'd take the power supply with adequate conditioners. Second a Mac packed with Pro Tools HD. Third, it would be a pair top notch PMC monitors. Fourth, it would be AKG C12. Five, it would be SSL AWS 924 mixing console.
- Mixing EngineerContact for pricing
- Keyboards - SynthContact for pricing
- Pop-Rock ArrangerContact for pricing
- Songwriter - MusicContact for pricing
- EditingContact for pricing
- Vocal TuningContact for pricing
- ProducerContact for pricing
Turn around time for Production and Arrangement is 2 weeks. Turn around time for Mixing and Mastering, keyboards - synth recordings, editing and vocal tunnig is 2 days.
- Solid State Logic AWS 924
- AVID PROTOOLS HDX
- PMC 6-2 XBD
- ELYSIA Museq
- TubeTech CL1B
- Bettermaker Limiter
- Millenia Media STT1
- TC6000 System
- DOLBY ATMOS Certified
- Apple Digital Masters
10% discount



