From Vance Joy, Griz, The Revivalists, Tank and the Bangas, Galactic, Delfeayo Marsalis, Es-K, Big Freedia, Naughty Professor and more.
Have the privilege of playing trumpet every day in my studio based in New Orleans!
I own a high quality recording chain and have a horn section I can call upon to incorporate more horns. Will write and record anything from huge funk section parts to chilled out solos. Always aim to best serve the song!!
I started out as a trumpet player for New Orleans instrumental collective Naughty Professor. Since then, I've begun working as a studio session player and have recorded on close to 100 tracks!! (hard to believe it's been that many!)
I've had the immense pleasure to tour internationally as a trumpet player and have had the opportunity to perform live in front of hundreds of thousands of people.
Contact me through the green button above and let's get to work.
10 ReviewsEndorse John Culbreth
Great experience working with John - I gavehim a rough idea of what I was after and his work surpassed all expectations. Can’t recommend highly enough!
John Culbreath is a pro! Excellent trumpet playing and great professional attitude and skill. Highly recommend!
John was super responsive and his playing/parts are inspired. Def recommend and will be working with him again.
John is the man! He wrote, arranged, and played some incredible horn parts that really brought our production to life. Highly recommended!
John is an incredible player and a joy to work with. I was really happy with out quickly he adapted to a genre that he had otherwise not been used to working with. I wouldn't hesitate to reach out again for my trumpet needs!
John is a fantastic trumpet player and producer. A great songwriter/composer and a diligent worker. John excels in horn world from writing to performing.
This is an update to my other review of John. He's a highly organized and gifted composer, producer, and horn arranger. His playing is precise and he has a keen producer's ear for just what the track needs , nothing more. Highly recommended.
John is a sick horn player and great arranger. We've worked on numerous records together. He has a clear understanding of history and context but also can be super modern and precise. He also has a great sample collection John is the best.
I recently hired John to record horns on a song for my band Slugger. Not only was he incredibly professional with a turnaround time of just a few days, but he also completely exceeded our expectations! He was able to get a huge section sound, and now our song sounds like it has the Earth Wind & Fire horns on it! The icing on the cake was the harmon mute passages he added, really creative!
John is an amazing musician ! The horn section in the song we worked on came to life after he added his recorded parts on horns to the same. John also added an improvised solo to the interlude that just blew my mind ! He is super responsive and has a great turnaround time ! I highly recommend John and hope to work again in the future with him !
Interview with John Culbreth
Q: How would you describe your style?
A: As a soloist, I use a lot of Miles Davis-isms and Roy Hargrove lines. As a section player and arranger, I try to write singable lines which I then use jazz-influenced harmony to make as expressive as the moment calls for.
Q: Which artist would you like to work with and why?
A: I'd love to work more with PJ Morton, because he writes beautiful songs and uses really lush arrangements.
Q: Can you share one music production tip?
A: When recording brass (especially trumpet), the distance between the bell and the mic and the angle of the bell in relation to the mic affect the sound more than ANYTHING, including what type of mic you're using.
Q: What type of music do you usually work on?
A: I often work on R&B, Hip Hop, EDM, and Rock. Very different from each other, but these genres share the quality that horns and strings make them sound good!
Q: What's your strongest skill?
A: Pinpointing the focus of a song and hearing ways to support and bolster it without getting in the way.
Q: What do you bring to a song?
A: I can provide reinforcement to the energy of a song.
Q: What's your typical work process?
A: First I'll listen to the song and read any notes/instructions provided. When arranging the parts, I'll start by writing the main horn melody by looping each section in my DAW and recording the ideas that come. After getting the ideas on the table and getting familiar with the arc of the song and determining the best way to accentuate the arrangement, I'll record each part, sometimes doubling it, and then add harmonies when appropriate. Usually at the end of each song I'll leave a little solo.
Q: Tell us about your studio setup.
A: My setup is a Royer 121 into an apollo twin which I run through either Logic, Ableton, or Luna depending on the project. Additionally I have access to a litany of fantastic studios in New Orleans for a bigger room sound or to run a horn section through a summing console.
Q: What other musicians or music production professionals inspire you?
A: Roy Hargrove, Terence Blanchard, Earth Wind and Fire, Daptones, and James Brown all heavily influence and inform my sound and choices in the studio.
Q: Describe the most common type of work you do for your clients.
A: I mainly arrange and record horn sections and compose/produce based on spec. We've worked with a wide range of genres including edm, funk, jazz, and rock.