Hi, I'm Joey! I am an Audio Engineer and Mastering Engineer (Brett Young, Gavin DeGraw, Seaforth) and I want to help you make an amazing record. Electric Guitars, Bass, Vocals, Drums, Demo Production, Mastering, Songwriting; whatever the need, together we can bring your project to life!
I have been a music lover for as long as I can remember, and I have been fortunate enough to call my passion my career for over a decade. I've been so fortunate to have worked with talented acts across a multiple of genres. I have mixed and performed for crowds ranging from one to 85,000, sharing the stage with some of the highest-selling acts in modern music along with some of the best musicians and engineers in the world.
After more then 15 years of mixing and mastering, I bring recording expertise and detailed ears to any music situation. My goal is to make sure that every vibe and color poured into your song is a full representation of your creative vision; from brilliant and shinty to dark and thick. Country, Pop, Singer/Songwriter, Urban, Folk, Indie. I’m currently the Front of House Engineer for Brett Young, responsible for all the sounds and elements in his live show. I’ve worked on a wide range of projects with Brett and various artists including Colbie Caillet, Boyz II Men, Astrid S, Gavin DeGraw, Matt Ferranti; engineers and producers like Jon Kaplan, Jimmy Rabbins, Noah Needleman, and others.
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
Tell me about your project and how I can help, through the 'Contact' button above.
1 ReviewsEndorse Joey Diehl
Interview with Joey Diehl
Q: What's your 'promise' to your clients?
A: I will do my very best to deliver exactly what you want and feel, and that every need in the project is met. And I will keep an open and consistent line of communication throughout the entire process.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Stop it. This question is going to haunt me. But also; LM44, Shadow Hills Comp, Everything Slate and Fabrice G put their hands on, a rack full of FatSo Jrs, and Chicken flavored Ramen
Q: What was your career path? How long have you been doing this?
A: This has been my career for the entirety of my professional life. Music is what I have always done in some form or fashion. I still tour a ton, but I have gravitated more toward the studio the longer I have been in business.
Q: What type of music do you usually work on?
A: I typically work on country music for most of my day job work, however I'm more partial to rock and heavier elements. I've always said that I don't necessarily have favorite bands but more favorite players, because any player in any genre can inspire people with their art.
Q: What do you bring to a song?
A: I believe I am good at helping to guide a song along its way to becoming what it wants to be. As a mastering engineer, I bring an unbiased ear to make sure that your song translates exactly how you envisioned it to across every platform possible. As a producer and mix engineer, my job is to make the song itself have the most impact that it can.
Q: Which artist would you like to work with and why?
A: I think The 1975 would be a ton of fun to work with, or a band like them. I would love to be a part of making a record, or a part of their live show.
Q: Can you share one music production tip?
A: Being able to see what your working on with a "fresh" perspective is insanely important. Its hard to walk away from what you're working on, but a lot times the right idea is already on the tip of the tongue and a little bit of outside life can bring it out.
Q: What's your strongest skill?
A: In my experience the better the communication, the better the final product and the happier everyone is throughout the process.
Q: What's your typical work process?
A: In terms of mastering, I like to prep everything in the session before I ever press play for the first time. I like to approach every song from scratch and my philosophy is to only add what is needed, as well as consistent A/B'ing. As a producer and mix engineer, the process is more complex and varies from client to client. In a nutshell though, I do my best to communicate well and make the client as comfortable, encouraged, and inspired as possible. I believe a relaxed environment is key to making great music.
Q: Describe the most common type of work you do for your clients.
A: The thing I do more than anything else is provide high-quality mastered tracks for my clients. I have worked very hard over the years to cultivate a collection of top-notch mastering gear and to hone my skills as an engineer, in an effort to provide the most seamless and rewarding experience possible.