Bojan K.


2 Reviews
Bojan K. on SoundBetter

I am a professional musician, clarinetist with a master's degree in music performance, mixing and mastering engineer, songwriter, and producer. I also play saxophone, guitar, piano, and sing.

I am specialized in classical, jazz, pop-rock, fusion, funk genres. I have produced a number of albums, singles, EP's, podcasts. (Bbach Ansambl, Spona, Shounak Ghosh, EJO - Ethno Jazz Orchestra, Zashto Kafka, BiRK, KozArs Music Fest, etc).

My expertise as a mixer and mastering engineer is pop-rock, acoustic, rock, world, jazz music, fusion, and classical feel also.

Take a listen to my samples and reach out, and I promise good communication and great product!

If you would like to hear more samples of my work, don't hesitate to reach out! My mission is a satisfied customer and I will always try to work out on any deadlines or budget deals.

Send me an email through 'Contact' button above and I will get to you as soon as possible.

I'd love to hear about your project. Click the 'Contact' button above to get in touch.

2 Reviews

Endorse Bojan K.
  1. Review by Dušan Popović Lipovac

    I worked with Bojan on two competely different projects. One was with a band (guitar, piano, clarinet, cajon, bass and voice) and other is duo (guitar and voice). Both projects had one thing in common: Bojan's patience to redo some things over and over until we were all satisfied. Being that he has a major in classical music, his ear really helps a lot when doing subtle music such as world music, jazz or classical, but am sure that he would have found the solution for other genres as well. My sincere recomendations!

  2. Review by Marko Panic
    by Marko Panic

    Bojan is a great guy, and he is very easy to work with. I've worked with him online (for song mixes). We were continents a part, and everything went very smooth. He has a excellent ear both for music and his clients. I'd recommend him any time:) !

Interview with Bojan K.

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: On my first songwriting album. I signed most of the rolls on the album. - composition, arrangements, lyrics, played multiple instruments, sing, mixed and mastered. I also did a CD cover and 4 music videos. It was a huge project but I enjoyed every single part of it. You can search it on Youtube. Bojan Krtinic and Bbach Ansambl. (Lyrics are in Serbian).

  3. Q: What are you working on at the moment?

  4. A: Two albums. One is simple acoustic music with guitars, vocals and violin. Other is world music album, with lots of acoustic instruments and very nice groove in it. I love it.

  5. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  6. A: Not that I know so far.

  7. Q: Analog or digital and why?

  8. A: Digital. It is cheaper, and the average listener will never ask that question. Listener wants a good story and good feeling and emotion from a music. If he is wondering is it analog or digital made recording, he/she is definitely not listening to a music.

  9. Q: Tell us about your studio setup.

  10. A: I work in Cubase 10.5 DAW, with FabFilter package, which I use the most for my mixing and mastering purposes. I mix on beyerdynamic DT 770 pro headphones and KRK Rokit 5 speakers.

  11. Q: What other musicians or music production professionals inspire you?

  12. A: I was trained as a classical musician for more than 20 years, but along the way, in my home I was always listening to a good, solid rock sound, blues, and lots of jazz and fusion music. I could say that my influence is a pretty wide, from all sorts of genres. That helped me to learn to use my ears for anything.

  13. Q: Describe the most common type of work you do for your clients.

  14. A: Music with the live instruments, wind and brass players, drums, guitars, bass guitars, vocals, acoustic music.

  15. Q: What's your 'promise' to your clients?

  16. A: I always do my best, no matter what.

  17. Q: What do you like most about your job?

  18. A: Creativity and flexibility.

  19. Q: What questions do customers most commonly ask you? What's your answer?

  20. A: Don't know. I never realized there is most common question for me.

  21. Q: What's the biggest misconception about what you do?

  22. A: I never realized that there is any misconception about what I do honestly.

  23. Q: What questions do you ask prospective clients?

  24. A: Lots of questions. We have a goal together, and that goal is always a good sounding music!

  25. Q: What advice do you have for a customer looking to hire a provider like you?

  26. A: I do not thing that I should make any advice. The customer should go for his gut feeling and go for it.

  27. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  28. A: My clarinet, laptop, mic, audio interface and headphones I guess. Enough for making a good song.

  29. Q: What was your career path? How long have you been doing this?

  30. A: As a session musician for around 12 years. - As a mixer and mastering engineer around 7 years.

  31. Q: How would you describe your style?

  32. A: Open style.

  33. Q: Which artist would you like to work with and why?

  34. A: With any artist that has a vision, idea and knows how to put those things to working process.

  35. Q: Can you share one music production tip?

  36. A: Always listen. Music is a aural art form.

  37. Q: What type of music do you usually work on?

  38. A: Music with live instruments. With real instruments and natural sound.

  39. Q: What's your strongest skill?

  40. A: Playing clarinet and mixing.

  41. Q: What do you bring to a song?

  42. A: A story and a feeling. Even if my roll is just a solo as a session musician I follow these two guidelines.

  43. Q: What's your typical work process?

  44. A: First I listen and put my imagination go wherever it wants. I sing lines and "hear" things inside myself before I start to work. I have a piece of paper besides, so if anything sounds great on the first spot, I write it down and make something like a map of workflow. Usually I make a very short breaks on every 30 minutes so I can clear my mind to avoid the straining and burnout. It works for me so far. When the project is done, I like to take a day or two off of it if I have time, and that listen back again when I am fresh, and see if there is anything that I missed along the way in the work process.

Bbach Ansambl, EJO nad Kalem is in this awesome medely

I was the Mixing Engineer, Singer, Clarinet, Piano and guitar player on Bbach Ansambl, and Mixing Engineer on EJO and Kalem projects. in this production

GenresSounds Like
  • Jethro Tull
  • Chaka Khan
  • Miles Davis
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