I put all my energy into your music to ensure you are happy with the results. I love what I do even after 5,000 gigs and 100+ album credits. For the sake of your career, my career, and good music in general I hold myself to very high standards and guarantee we will work well together no matter what kind of project you are working on.
Professional since completing my Music degree in 1997, I am equally adept at upright, electric, and fretless bass. I provide two or three different takes for you to choose or comp. I will do up to 2 revisions if needed, after 2 I may request additional funds.
For upright bass I provide a bass part that elevates your music with a clear, warm, woody tone topped off with excellent rhythm and intonation. I also play with the bow for a lyrical sound, like a cello but lower. I record with two mics, one down low for warmth and one high for clarity and attack. I can send you a mix of the bass or the stems.
On electric bass I can sit back in the pocket like Pino Palladino, or play busy on top like Billy Sheehan. I can play simple parts like Carol Kaye or creative and melodic in the style of James Jamerson. I play with fingers, thumb, or pick, roundwounds or flatwounds, fretted or fretless, whatever serves the music best.
I specialize in creating bass parts, improvising melodies, reading standard musical notation, learning new music quickly, achieving great tone, and professionalism.
Fast and courteous communication
Creative & intuitive
NEW client discount! $60 first song (most cases)
I can record VIDEO for your project
Delivery within 48 hours, ask about same day delivery
Rock, Jazz, Pop, Soul, Blues, Swing, Latin jazz, Motown, R&B, Funk, Bluegrass, Americana
Send me an email through 'Contact' button above and I'll get back to you asap.
Credits
Discogs verified credits for Craig Akin- Detroit Red (3), Lynsey Simone Tibbs, Craig Akin, Aman Cowell
- The New Vintage Big Band Directed By Jack M. Taylor, Jr.
- The Boulevard Big Band Featuring Pete Christlieb And Frank Mantooth
- Arthur Dodge
- AllOne (2)
- Joel Henry Stein
- Martin Schulte NY Quartet
- Barnaby Bright
- Abbie Gardner
- Aimée Allen
- Barnaby Bright
- Intended Immigration
- Elias Meister
- Intended Immigration
- Marci Geller
- Brad Cole
- Intended Immigration
- Sharon Goldman
- Red Molly
- Abbie Gardner
- Laurie MacAllister
- Carolann Solebello
- Goodnight Moonshine, Molly Venter
- Eric Babak
- Sharon Goldman
- Vance Gilbert
- Aimee Van Dyne
- Linda Marks
- Modern Times Ensemble
- Dan Pugach
- Alankara & Jazzy D (4)
- Alankara & Jazzy D (4)
- Vance Gilbert
- Barnaby Bright
- Tom Rush
- Bradley Allen Votava
92 Reviews - 14 Repeat Clients
Endorse Craig Akin- check_circleVerified
Great player, expressive and sensitive.
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As pro as it gets. Thank you!
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First time working with Craig. He was very communicative, with a quick turnaround and did an amazing job -- highly recommend!
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Craig’s work is always on the money - grooving, musical, and creative. He provides a nice selection of options to work with, too! Highly recommended!
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Nailed it spot on first track! Glad to be working with Craig!
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Craig nailed it again. I think this is the 10th tune we've had him play double bass on and he's gotten it right every time. He's a consummate professional and I can't recommend him highly enough. Great communication and gets the parts done on time.
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I contacted Craig in the morning and by the end of the day had five great acoustic/upright bass tracks to choose from for my pop song. In other words, Craig delivered big time for me and he will for you too. Quality work and a fast turnaround--you can't go wrong adding Craig's talents to your project!
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10/10 would recommend.
Timely and communicative. - check_circleVerified
I have finished working on the bass lines for 2 songs with Criag.
His work is excellent. Perfect execution and, in addition, he adds personality to the bass lines.
The speed at which he works is surprising.
100% recommended. - check_circleVerified
I worked with Craig on a project with a tight deadline. He proved to be flexible and attentive, and he committed to delivering the material within the required timeframe. At the last minute, we needed an additional recording, and he made himself available to do it. The final result was excellent, as his recording seamlessly integrated into the composition we were working on.
I highly recommend Craig to everyone! - check_circleVerified
Impeccable quality in the execution. And the delivery time has been extremely fast. 100% recommended.
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Craig always deliver perfect upright bass tracks. Really recommend.
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smooth process, thanks a lot :)
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Craig will elevate your tracks. He always has great tone, fast turnaround times and can read charts like a book! I've worked with him twice this year and will definitely be back again soon. You owe it to yourself to bring him in on your project. Highest recommendation!
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This project had 12 songs on it and Craig played upright bass on 8 of them. He nailed every single track. It was a pleasure working with him over the past two or so months and for future albums there will be no reason to look for anyone else. If you need upright bass give him a try. You won't be disappointed, I promise.
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I think this is Craig's 7th or 8th track on this project and every one has been perfect. We did something different on this one and had bowed bass which, of course, was excellent.
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Craig did a great job on a tune with some challenging tempo changes. Five star, yet again.
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As this project moves along it's nice knowing the upright bass is going to be perfect every time. Craig is batting 1000.
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Craig killed it once again. He gave several us upright bass takes for this tune and they were all good. Excellent communication and fast service.
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Craig put down a solid upright bass track on an instrumental clawhammer tune. Highly recommended.
Interview with Craig Akin
Q: What do you bring to a song?
A: I bring a unique signature to a song whether it's a simple three chord or more complex. My sound is a creative blend of jazz, funk, motown, blues, rock. My 1880 upright bass has an excellent tone with plenty of sustain and growl.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Anytime I overdub bass parts from home and the client is happy then I'm proud. When I track with a full band in the studio I get involved in the production unless I detect too many cooks in the kitchen. In other words I engage with the team and help keep the vibe and music great, as opposed to "clocking in" and checking out.
Q: What do you like most about your job?
A: Creating bass parts for a project and elevating it sonically, anchoring the music because to me bass is the foundation of sound.
Q: What's the biggest misconception about what you do?
A: Anybody can play bass. While this is true on some level it's not necessarily easy to create good parts for any situation, with great sound, feel, rhythm, and intonation. That takes a lot of practice and years of experience.
Q: What questions do you ask prospective clients?
A: I like any production notes a client may have. Where do you want me to begin recording? Where do you want me to solo if any? Do you want upright, electric, or fretless? Do you prefer a simple part or more melodic? Do you have a reference example I can listen to?
Q: What was your career path? How long have you been doing this?
A: I started on piano age six and age 12 I began trumpet. In high school I played trumpet and jazz guitar. In college I continued on trumpet and guitar then eventually only bass. Soon I was a first call upright and electric bass player in Kansas City and began playing full time in 1997. For ten years I average 270 gigs/year and moved to NYC in 2007. I have been touring, recording, overdubbing from home since.
Q: Which artist would you like to work with and why?
A: I like artists who are also highly skilled musicians such as Stevie Wonder. Artists who are musicians can speak the language, know what they want and how to communicate it.
Q: What's your strongest skill?
A: My strongest skill would be my musical intuition, knowing what to play and what not to play at any given moment.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Take a look at my youtube channel "Craig Akin on bass", my website craigakin.com, my facebook music page " "Craig Akin on bass" so you can be sure I'm a good fit for you. Listen to examples and watch videos.
Q: What are you working on at the moment?
A: I work on making videos of solo bass for my solo bass record, youtube channel, website, facebook, and Instagram. Audio in Logic and video in DaVinci. I also live stream solo bass from time to time on Facebook via OBS.
Q: What's your 'promise' to your clients?
A: I am easy and flexible to work with. I will revise my part until you get what you want.
Q: What questions do customers most commonly ask you? What's your answer?
A: Clients ask if I like their project and is it in my wheelhouse. The answer is always yes.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: My 1860 German upright bass, my frankenstein Fender fretless jazz bass, my '73 Fender P bass, computer/mics/interface.
Q: How would you describe your style?
A: My playing is creative and adventurous, a blend of jazz, funk, soul, motown, blues. I play melodic bass parts or simple parts when the music calls for it. And I'm always ready to improvise.
Q: Can you share one music production tip?
A: Surround yourself and create with great pros that are passionate, experienced, and easy to work with.
Q: What type of music do you usually work on?
A: I have mostly recorded with singer/songwriters of many types; pop, folk, rock, etc...
Q: What's your typical work process?
A: When I receive a song file I listen through to learn the song or write out a chart. Then I get to work recording, simple as that.
Q: Tell us about your studio setup.
A: Not a fancy setup but I find the sound and results are what matters. I use Logic Pro X, have an assortment of condenser mics, and Pro Tools interface.
Q: What other musicians or music production professionals inspire you?
A: I'm inspired by anyone creating original music. I'm also inspired by bass players of all kinds. When I need to lift my mood I listen to Bach, jazz, heavy metal, whatever I'm feeling.
Q: Describe the most common type of work you do for your clients.
A: I overdub bass onto existing projects. Could be upright, electric, or fretless. Sometimes a client will send me a track with piano and vocals, sometimes a track with drums and guitar. Whatever the situation I'm able to deliver the goods professionally.
- Bass UprightAverage price - $70 per song
- Bass ElectricAverage price - $70 per song
- Bass FretlessAverage price - $70 per song
I provide multiple takes for you to choose or comp. Turnaround is 2 days (most cases). Feel free to inquire about same day turnaround. Revisions are no problem, I want you to get what you want.
- Bonnie Raitt
- John Scofield
- Bob Dylan
- 1880 German upright bass
- 1960 Juzek upright
- '73 Fender P bass
- fretless Fender P bass
- '67 Harmony H22 hollowbody
- many others.
NEW client discount! $60 first song (most cases)