Your work needs to sound *great*, and I want to help you achieve that!
A graduate of the prestigious Tonmeister course at the University of Surrey, and now based in Norwich, I am an experienced audio engineer in music, film and television post-production. I specialize in audio editing, mixing, noise reduction and restoration.
I also have professional experience in video editing, and extensive work in live P.A. and recording sessions.
Would love to hear from you. Click the contact button above to get in touch.
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Interview with Julez Redding
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Tim Pennells. Seriously knows his stuff. Good card player too.
Q: Analog or digital and why?
A: I wish my answer was analogue, but the ability to non-linear edit digitally is invaluable. In reality, both can and should exist side-by-side.
Q: Can you share one music production tip?
A: Never assume you can fix it in post; get it right in the room.
Q: What type of music do you usually work on?
A: I was a pretty straight-up rock kid, so that's my bread and butter, but I listen to allsorts and glean inspiration wherever I can.
Q: What's your strongest skill?
A: Noise reduction and audio restoration.
Q: Tell us about your studio setup.
A: Right now it's all in-the-box on a laptop with some nice monitors, but there are PLANSSSS forthcoming for a permanent facility, which will broaden my scope to tracklaying.
Q: What other musicians or music production professionals inspire you?
A: Steven Wilson is a phenomenal producer for clean-cut rock tracks, and Steve Albini's work in the late '80s for bands like the Pixies is
Q: Describe the most common type of work you do for your clients.
A: Audio restoration and editing, usually on podcasts or on-set dialogue recordings.