20 years in the business, Grammy Award Winner Engineer in 2019 with Hildur Guðnadóttir's – Chernobyl soundtrack. Credits include Erlend Øye, Efterklang, Nils Frahm, Olafur Arnalds, Niklas Paschburg. Check more on www.antoniopulli.com I offer uncompromised quality workflow. I work for your music, enhance your ideas, and make your vision real.
I have much experience working with orchestras, quartets, any acoustic recording as much as with electronic music.
I offer a per song deal or you can book a mixing day. I can mix a number of tracks in a day if the project allows for it. This doesn't include editing or production, your stems should be the final ones ready to be mixed. Mastering can be also discussed.
I deliver the following: full mix, full mix trough tape (Telefunken M15), Instrumental, Vocal stem.
Optional: all stems, alternative versions, mastered version
I am offering a good deal on sound better to see if I can get it started here.
Send me an email through 'Contact' button above and I'll get back to you asap.
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Interview with Antonio Pulli
Q: How would you describe your style?
A: Effective and straight forward. I take a rough mix and find out how to make it sound better. It might be a 2% improvement or 20%. A lot depends on how close to final the project is when I put my hands on it and how much room is there left to shape sounds.
Q: What type of music do you usually work on?
A: Soundtracks, singer-songwriters, Edm, electronic, ambient, neo-classical, classical
Q: What's your strongest skill?
A: Listening, intercepting the artist vision, bringing something to it he was looking for and didn't know how to make happen
Q: What do you bring to a song?
A: Whatever I feel is missing in terms of sound. Often depth, sparkle, dynamics. It varies a lot from project to project.
Q: What's your typical work process?
A: I listen to the artist's rough mix and references if he sends some. I try then to imagine where I could bring the song with my work. Next prepare a mixing session and listen to the all sounds thinking of what I will do with them when I start the mixing. After that, I start mixing for real.
Q: Describe the most common type of work you do for your clients.
A: These days it's remote mixing from my personal studio. Clients send me the stems and their rough. I make a mix and we work on revisions sometimes also online with the "Audiomovers" plugin.