Antonio Pulli

Mixing, Grammy Winner Engineer

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1 Review (1 Verified)
Antonio Pulli on SoundBetter

20 years in the business, Grammy Award Winner Engineer in 2019 with Hildur Guðnadóttir's – Chernobyl soundtrack. Credits include Erlend Øye, Efterklang, Nils Frahm, Olafur Arnalds, Niklas Paschburg. Check more on www.antoniopulli.com I offer uncompromised quality workflow. I work for your music, enhance your ideas, and make your vision real.

I have much experience working with orchestras, quartets, any acoustic recording as much as with electronic music.
I offer a per song deal or you can book a mixing day. I can mix a number of tracks in a day if the project allows for it. This doesn't include editing or production, your stems should be the final ones ready to be mixed. Mastering can be also discussed.
I deliver the following: full mix, full mix trough tape (Telefunken M15), Instrumental, Vocal stem.
Optional: all stems, alternative versions, mastered version
I am offering a good deal on sound better to see if I can get it started here.

Send me an email through 'Contact' button above and I'll get back to you asap.

1 Reviews

Endorse Antonio Pulli
  1. Review by robbie m.
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    Excellent quality, fast service. Very quick to respond and the high quality engineering you'd expect from a Grammy winner.

Interview with Antonio Pulli

  1. Q: How would you describe your style?

  2. A: Effective and straight forward. I take a rough mix and find out how to make it sound better. It might be a 2% improvement or 20%. A lot depends on how close to final the project is when I put my hands on it and how much room is there left to shape sounds.

  3. Q: What type of music do you usually work on?

  4. A: Soundtracks, singer-songwriters, Edm, electronic, ambient, neo-classical, classical

  5. Q: What's your strongest skill?

  6. A: Listening, intercepting the artist vision, bringing something to it he was looking for and didn't know how to make happen

  7. Q: What do you bring to a song?

  8. A: Whatever I feel is missing in terms of sound. Often depth, sparkle, dynamics. It varies a lot from project to project.

  9. Q: What's your typical work process?

  10. A: I listen to the artist's rough mix and references if he sends some. I try then to imagine where I could bring the song with my work. Next prepare a mixing session and listen to the all sounds thinking of what I will do with them when I start the mixing. After that, I start mixing for real.

  11. Q: Describe the most common type of work you do for your clients.

  12. A: These days it's remote mixing from my personal studio. Clients send me the stems and their rough. I make a mix and we work on revisions sometimes also online with the "Audiomovers" plugin.

Terms Of Service

1 song with 3 revisions or a full mixing day. In a day I can mix a number of tracks if the project allows for it. Turn-around time is typically a few days.

GenresSounds Like
  • Erlend Øye
  • Nils Frahm
  • Kiasmos
Gear Highlights
  • A pretty good room to work in
  • PSI a17m
  • Telefunken M15
  • Akg BK20
  • Pcm70
  • Echolette N51
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SoundBetter Deal

Ask me, I am offering a good deal on sound better to see if I can get it started here.