I have been mixing and mastering for about ten plus years. Ive worked in Q-studios, Traxside, and now run my own studio. I attended Full Sail University for Music Business and am almost finished at Berklee College for Music Production.
You put your heart and soul into this music. The mixing and mastering process can make or break it. You want your music to be heard and appreciated by all of your current and future fans. Once you release these songs, there is no going back.
The songs are out there forever. The last thing you want is to hate the sound of your own songs for the next decade. I've been there myself and its a terrible feeling. There's nothing worse than going back to an album you spent a year of your life on, only to hate the mix.
Let's create something you will be proud of!
You've written songs you can be proud of, and you have a vision for the sound of the final product. Now its time to put your baby into the hands of someone else.
Rossetti Records will be working with you to turn your vision into a finished, polished, recording that you and your fans can enjoy for the rest of your lives. We specialize in Remote Mixing and Mastering, as well as Live Recording sessions of any genre. Hip-Hop, Trap, Reggae, Rock, Metal...pretty much anything but country, no offense. But we DO NOT work on country music at Rossetti Records.
Click the 'Contact' above to get in touch. Looking forward to hearing from you.
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Interview with Rossetti Records
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: My favorite project I’ve worked on would be my latest one, Rome, for artist Resource. I’m proud of it because he didn’t like the song when he sent it to me to work on. I was the Mastering Engineer and after he got the final mix he was ecstatic and loved it. And that makes my heart full. When a artist goes from liking there mix but not feeling the song, too being in love with the final product and in awe of how the whole vibe changed for the better.
Q: What are you working on at the moment?
A: I’m currently working on mixing and mastering an album.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Not at the moment but I plan on meeting some new faces in the mixing and mastering community.
Q: Analog or digital and why?
A: I use both, but definitely feel analog is better in my personal opinion.
Q: What's your 'promise' to your clients?
A: To be 100% satisfied with the final product.
Q: What do you like most about your job?
A: Hearing different style of artists
Q: What questions do customers most commonly ask you? What's your answer?
A: How do you make it sound so good? I just do.
Q: What's the biggest misconception about what you do?
A: Making a crappy mix sound golden with mastering it. Not true, good mix=great master
Q: What questions do you ask prospective clients?
A: Are you serious about your music, or is this just a hobby?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Don’t rush and hire the first engineer you find, do a lil research and find the best fit for you, because in the end it’s YOUR music!
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Speakers included? Then I’d just need my Apollo, mpc one, any mic, n that’s it.
Q: How would you describe your style?
A: Clear, smooth, next level
Q: Which artist would you like to work with and why?
A: Eminem, he’s the goat!
Q: What was your career path? How long have you been doing this?
A: Musician, since 2009
Q: Can you share one music production tip?
A: Don’t spend too much time on one song, have confidence, and trust your ears
Q: What type of music do you usually work on?
Q: What's your strongest skill?
A: My ears and hearing what needs to be tweaked, changed, added or removed from a song. How to get from a great mix to a final polished radio ready song.
Q: What do you bring to a song?
A: Completeness, feeling, warmth, clarity, confidence.
Q: What's your typical work process?
A: Listen to a track for 5 seconds, figure out what’s missing, what it needs to be on the level of the “competition” other similar genre artists. Then get to work and tweaking then knobs. Usually takes me 30 mins to master a track and 2-4 hours to mix out a track depending on how many tracks there are.
Q: Tell us about your studio setup.
A: I work in ProTools, and Logic. I use the new iMac Pro, universal audio interface, antelope pure 2, jbl 8 inch monitors with the 10 inch Sub and a few other awesome toys and plug-ins. If you wanna know more then just ask.
Q: What other musicians or music production professionals inspire you?
A: Alex Tumay
Q: Describe the most common type of work you do for your clients.
A: The most common type of work I do for my clients is Mastering Engineer on mainly Hip-Hop