Mixing, Mastering, Producing

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2 Reviews (1 Verified)
LuZonic on SoundBetter

I am a musician, audio engineer and producer and worked for companies such as Nike and Sky Television. I had an education as an audio engineer and won the mixing contest of one of the biggest and innovative studios in Germany, the HOFA Studios, well known for their incredible plugins.

Early on, I had instrumental classes for piano, organ and violin and have a degree as a church musician and audio engineer. I started mixing for a postpunk project based in Madrid. They hired me, because they knew, that I mixed my own stuff before and after a while, I had the wish to do it in a professional way. So I went to the HOFA college, to learn how to mix like a pro. Later on I took additional classes for mastering, also at HOFA and Ian Shepherd´s course. I mixed a lot of Indie and Gothic bands and built up my studio in Germany which has great acoustics.
I offer mixing and mastering and I am very familiar with the gothic and the alternative scene. Recently I mix and master more and more electronic music (EDM, House). Because of my musical education, I also produce music if I have some time left, that means composing music for film and commercials.

Would love to hear from you. Click the contact button above to get in touch.

2 Reviews

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  1. Review by Enrique
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    What a great cat to work with, friendly and collaborative.

  2. Review by Hans J.
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    Hallo, guten Morgen, mein Name ist Hans. Ich lebe und arbeite an verschiedene Musik Projekten in Bali/Indonesien. Derzeit warden 2 Songs in der USA produziert. Derzeit bin ich in Speyer.
    Vielleicht koennen wir uns einmal unterhalten. Hier fuer eine Kontaufnahme 015776596957.

    Gruss
    Hans

Interview with LuZonic

  1. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  2. A: I made the music for a Nike commercial, shown at the opening of the Nike Hub in Munich.

  3. Q: What are you working on at the moment?

  4. A: At the moment I am mixing music for a film.

  5. Q: Analog or digital and why?

  6. A: Both, because I like the advantages of both.

  7. Q: What's your 'promise' to your clients?

  8. A: I work with the client until he is satisfied, period ;)

  9. Q: What do you like most about your job?

  10. A: I am very open minded to new music and I am often surprised about how much good music is out there.

  11. Q: What questions do customers most commonly ask you? What's your answer?

  12. A: Often they ask me, what they can do better, before I start mastering the track.

  13. Q: What's the biggest misconception about what you do?

  14. A: That I can save a really bad mix with mastering.

  15. Q: What questions do you ask prospective clients?

  16. A: Mostly I ask them, what bands they like and what visions they have, how their music should sound.

  17. Q: What type of music do you usually work on?

  18. A: Darkwave, Electronic music but I also mixed a lot of Progrock.

  19. Q: Describe the most common type of work you do for your clients.

  20. A: Mixing and mastering. In the case of mastering, I often give advices, how to make the mixes sound better to get the full potential of a mastering.

  21. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  22. A: Laptop, Reaper and some plugs, Headphones, MIDI Keyboard

  23. Q: What was your career path? How long have you been doing this?

  24. A: During my childhood and youth, I had a classical education. Later on, I played with a lot of bands and projects from pop/rock to darkwave. For a postpunk band, I have been asked to do the mixing. That was my entry to the world of mixing and mastering and I made an education at the HOFA studios as an audio engineer. Later on I took courses for mastering (HOFA, Ian Shepard)

  25. Q: Can you share one music production tip?

  26. A: The focus should be on the music and not the gear. Try to record a good signal and don´t forget the simple techniques like panning and levelling.

  27. Q: What's your strongest skill?

  28. A: During my education as a musician, I had a lot of musical ear training.

  29. Q: Tell us about your studio setup.

  30. A: I work with a lot of plugins (mostly the UAD Platform), but also have some analog gear. My studio is a room in room construction with a very nice acoustic.

  31. Q: What other musicians or music production professionals inspire you?

  32. A: I like the work of Bob Katz and his book "Mastering - the art and science". I also come over at "Pensado´s Place" and watch his interesting shows.

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Disintegration cover by Death In Rome

I was the Mixing Engineer in this production

GenresSounds Like
  • Flume
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Gear Highlights
  • Universal Audio 2192 Mastering Converter
  • SPL Tube Vitalizer
  • Tegeler Audiomanufaktur Creme
  • Klark Teknik Analyzer
More Photos