Tom Baardman

Production/Mixing/Mastering

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30 Reviews (27 Verified)
Tom Baardman on SoundBetter

Hi, Im Tom, My tracks have been played by Afterlife's Colyn, Guy J, Marino Canal, Hernan Cattaneo and more. I mastered Luke Coulson's track 'Higher' that has almost 500k plays on Spotify. House producer Harry Bolton who has over 2M streams had the tracks played by EDX in his sets.

Experienced House/Dance Music Producer with a decade of expertise!

My music has garnered over 100k streams and my records have been signed by renowned labels like Infinite Depth, Pursuit, Dear Deer, Understated, and more. I'm here to assist you in turning your demo or concept into a polished track ready for release on your favourite music platforms.

Services Offered:

- Track/Ghost Production (starting from scratch or based on an existing idea)
- Mixing
- Mastering

Terms & Conditions:

- You'll retain 100% of the royalties
- Receive all stems
- Fast turnaround (within 14 days)
- Initial 3 revisions are complimentary (subsequent revisions are $50 each)
- Project files not included
- Mixing and mastering services are included

Click the 'Contact' button above to connect!

Would love to hear from you. Click the contact button above to get in touch.

Credits

AllMusic verified credits for Tom Baardman
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30 Reviews - 4 Repeat Clients

Endorse Tom Baardman
  1. Review by Harry B.
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    Always a pleasure, efficient and great to work with

  2. Review by Max D.
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    by Max D.
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    I trusted Tom with mixing my entire album and I am happy that I did. My project can be considered somewhat nonconventional, so I was asking for some crazy things, but once Tom understood my vision, it was a seamless experience. The mixdowns are moving, pro-sounding, and blatantly incredible.

  3. Review by Cowlam
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    by Cowlam
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    had 3 fresh tracks that I needed mastering, all 3 tracks sounding so clean will be using tom for all my future work 100% recommend

  4. Review by Rob
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    by Rob
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    Worked with tom on 3 tracks for mixing Tom is a very capable mix engineer, his work was high quality and there was lots of communication to achieve the desire sound.

    Great work Tom!

  5. Review by Harry B.
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    Great master and lovely to work with

  6. Review by Marco
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    by Marco
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    Always a pleasure to work with Tom. Great job and fast turn around!

  7. Review by Guy L.
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    by Guy L.
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    Great master, professional as ever and a pleasure to deal with!

  8. Review by galo v.
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    Excellent

  9. Review by Anthony A.
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    Masters sound absolutely fantastic, couldn't be happier. Tom was also very professional

  10. Review by David M.
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    Tom is a meticulous mastering engineer and looks at all of the sounds in the composition as a complete work. I'm very pleased with the results and everything translates well to larger PA and club systems.

  11. Review by Marco
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    by Marco
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    Always great work with Tom and good timing.
    Super communication and final result with great mixing skills!

  12. Review by Harry B.
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    Great Master, recommend

  13. Review by Bastian a.
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    Great cooperation and detail to depth

  14. Review by Marco
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    by Marco
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    Great work with Tom! We have worked for a 3 track EP and glad for the great result. Definitely come back again!

  15. Review by Marco
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    by Marco
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    Great work!!

  16. Review by Marco
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    by Marco
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    Great Mixing from Tom.
    Efficient, fast and professional.
    We will definitely come back again!

  17. Review by Harry B.
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    decent

  18. Review by Guy L.
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    by Guy L.
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    Thanks for another great job. Thoroughly impressed with the quality of the masters on all 3 tracks, they sound excellent on a big system. Fast turnaround and pleasant to work with

  19. Review by Harry B.
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    great master as always

  20. Review by Jack C.
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    Amazing work from Tom as usual, can't recommend enough

Interview with Tom Baardman

  1. Q: What's your 'promise' to your clients?

  2. A: To deliver my work to the best standard I can do.

  3. Q: What questions do customers most commonly ask you? What's your answer?

  4. A: I get a range of questions but commonly is how much headroom to leave for a pre master. and as long as you give my your track with no compression or clipping on the master buss this is enough for me to play with.

  5. Q: What's the biggest misconception about what you do?

  6. A: Some people think mastering is is whacking a limiter on and getting the loudest it can be, however its much more than that My mastering consists of: 1. Reference- Analyse tracks within the genre to get the track to sonically stand up amongst the best tracks in the genre. This includes giving a similar LUFS. 2. Corrective mastering - Perform a frequency check to find the right frequency balance and fix any parts of the track that need attention. 3. Creative mastering - Give the track a more 3D sound through the use of dynamic eq and mid side processing.

  7. Q: Tell us about a project you worked on you are especially proud of and why. What was your role?

  8. A: Doing my first full mix and master for a band in college and after submitting it my lecturer saying that it was the best mix of the class!

  9. Q: What are you working on at the moment?

  10. A: Many of my own productions, some film/trailer music and some electronic. Also doing a few masters for clients and friends

  11. Q: Is there anyone on SoundBetter you know and would recommend to your clients?

  12. A: Luke Coulson, Such a good vocalist and plenty of experience working with producers. If you need a vocalist hit him up!

  13. Q: Analog or digital and why?

  14. A: Digital because you can get digital pretending to be analog, you can't the other way round

  15. Q: What do you like most about your job?

  16. A: Being involved in music every day

  17. Q: What questions do you ask prospective clients?

  18. A: What is your vision for a track

  19. Q: What advice do you have for a customer looking to hire a provider like you?

  20. A: The better the mix sent the more potential the master has

  21. Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

  22. A: Macbook pro, Adam A7x monitors, AKG K-271 headphones, Apple Airpods and a full size digital piano

  23. Q: What was your career path? How long have you been doing this?

  24. A: I have been producing music for approximately 6 years and Mastering for 3

  25. Q: How would you describe your style?

  26. A: Electronic, Emotion

  27. Q: Which artist would you like to work with and why?

  28. A: I would love to work with Stan Kolev just so he could show me his mixing process as he manages to create some unreal mixed tracks!

  29. Q: Can you share one music production tip?

  30. A: When producing electronic music and programming synths drums etc, it can all be too perfect when relating to dynamics and timing which is the opposite of recorded music and this can make a track feel lifeless or stagnant. So instead of reducing the dynamics through the use of compression sometimes dynamics need to be given through the use of various processes such as expansion.

  31. Q: What type of music do you usually work on?

  32. A: Mainly electronic such as all of the sub-genres of EDM or Hip Hop/Rnb

  33. Q: What's your strongest skill?

  34. A: I tend to focus on my weakest skill and strengthening that to overall improve my productions and mixes.

  35. Q: What do you bring to a song?

  36. A: I see mixing and mastering as not only corrective or bringing it to industry standard, however, it can be another creative process. When executed correctly mixing and mastering can enhance the emotion that is intended by the original artist. This is my initial goal, before bringing it to industry or genre standard.

  37. Q: What's your typical work process?

  38. A: When mixing and mastering, It varies massively from track to track due to the type of track given (stereo master/stem master etc) and the vision of the producer or artist on how they would like their track to sound. Typically I will start with my mastering template however some tracks may require all of the processing and others may require entirely different processing

  39. Q: Tell us about your studio setup.

  40. A: I work mainly in the box as I believe this is the best way for efficient workflow. Through the invention of many analog emulation plugins, am analog sounding mix can be achieved alongside the pros of using digital.

  41. Q: What other musicians or music production professionals inspire you?

  42. A: Could provide a long list of artists that inspire me across many genres. However, one real inspiration in the mixing and mastering world would be Luca Pretolesi who has mixed and mastered tracks for the likes of Major Lazer. I have had my own productions personally reviewed by him and he has taught many mixing and mastering tips. Hannes Beiger is also a horary mention he knows what hes doing.

  43. Q: Describe the most common type of work you do for your clients.

  44. A: Mixing and Mastering for clients mostly.

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Baardman - Voyager 2

I was the Producer, Mixing & Mastering Engineer in this production

Terms Of Service

Typically allow 2 revisions.

GenresSounds Like
  • Tale Of Us
  • Afterlife
  • Innervisions
Gear Highlights
  • Moog Sub 37
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SoundBetter Deal

I offer 10% off for mastering multiple tracks

  • Full time in musicFeb 25, 2021

    As of now I am full time working in music. This means faster turn arounds for Mixing and Mastering as my schedule is more clear for clients :)