Hi there, glad to see you are interested in working with me. To keep it short, my main focus is mastering and mixing. I spend the last year working mostly with artists in Toronto and Montreal
Hi there, glad to see you are interested in working with me. To keep it short, my main focus is mastering and mixing.
I spend the last year working mostly with artists in Toronto and Montreal. Quick background, I had an internship in one of Universal Studio mixing studio in LA 2 years ago. That's where I learned and mastered my craft. Instead of staying in LA, I decided to come back to my hometown and provide my services to rising artists who need it the most. This is probably the best decision I have ever made since it allowed me to work on multiple projects and learned how to mix and master different styles of music. I worked with so many unknown artists but some that do have a name out there are Pressa, sean Leon, Lynne Marsh, killy, Five Eight, some collaborations with 5sang, and many more artists. Although
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Interview with Mtl Code
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: a friend of mine referred to soundbetter but unfortunately, he is not on the platform anymore as he got a job in a big studio in LA
Q: Analog or digital and why?
A: Both. But, I like analog better the feeling of touch and the warm sound is just timeless!
Q: What advice do you have for a customer looking to hire a provider like you?
A: make sure that your tracks aren't clipping and that you gave your best during the production!
Q: Which artist would you like to work with and why?
A: I would love to work with the weekend, I really love his sound aesthetic!
Q: Can you share one music production tip?
A: always work with reference, it makes a huge difference.
Q: What's your typical work process?
A: I usually like to ask the clients to send me tracks that their love and what are their goals with the song to build rapport and make sure I can deliver. From there I do my magic and ask for any revision. I will also message them a week later to make sure they are still satisfied with the result. It's all about the client!
Q: Tell us about your studio setup.
A: I have a studio with a friend of mine, we decided to work together because it gives us the ability to have a big studio with lots of gear. We run UAD as our primary audio interface with APS and focal twin speakers. We have a nice vintage neve podcast console that we got at a steal and it sounds so good for the price. We have two outboard racks with LFT, LA2A, neve, some 500 series module, and more.
Q: What other musicians or music production professionals inspire you?
A: oh, I am a huge fan of Latin music and afro beats.
Q: Describe the most common type of work you do for your clients.
A: I usually do mastering and mixing but I also get a lot of inquiries for composing track and sound design.
- Mastering EngineerAverage price - $70 per song
- Mixing EngineerAverage price - $250 per song
- Vocal TuningAverage price - $40 per track
- Beat MakerAverage price - $200 per song
- Ghost ProducerAverage price - $500 per song
For mixing it usually takes me 1-3 days depending on how big the song is. Mastering takes about 1-2 days
I only allow 5 revision max. For an added cost, I can deliver mix and master in one day!
- uad apollo x6
- Louder than Liftoff silver Bullet
- Bae 1073
- LA2A
- ssl 4000 strip
- 500 series modules
- aps Klasik
- Focal twin
- Dsi Rev2
- Moog Grandmother
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