Creativity and technial knowhow translates into a professional sound, let me know, if that's something you're interested in.
I'm a music producer based in Copenhagen with 7 years experience in DAW's and Audio engineering, who has worked with mega labels Sony, Warner Music and Universal music.
I focus on electronic production, reminiscent of Jamie XX, Four Tet, Bonobo, Burial, Moderat, as well as more commercial EDM names like Avicii, The Weeknd, James Blake.
I have also worked intimately with Soundscapes and Films scores, in an atmospheric tone.
If you have an idea, wish to emulate a particular artist's sound, or need third party input for your own track, I'm here to help. We can always jump on skype or keep it brief, and always happy to work on revisions to satisfy your desires.
Contact me through the green button above and let's get to work.
Interview with Marck Lund-Neilsen
Q: What are you working on at the moment?
A: Freelance work and a few personal projects that incorporate music, film and documentary elements.
Q: Analog or digital and why?
A: Depends what for. Digital sounds and VTS provide a virtually endless sea of options, especially as many of the sought after Analog Synths are very hard to come by. However digital sounds looses some of the character of analog equipment. To each their own, personally I love analog equipment, but more often than not digital convenience replaces this. If you're happy with your own sound, then don't change anything.
Q: What's your 'promise' to your clients?
A: It's very important for me that no one feels cheated, and you get what you pay for.
Q: What do you like most about your job?
A: The creative freedom and though that my music creates enjoyment for others.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: MPC. Zoom Recorder. Macbook Pro. Mellotron. Moog
Q: What was your career path? How long have you been doing this?
A: I'm autodidact with 7+ years, working independently on personal projects and in various groups as producer and mixer.
Q: How would you describe your style?
A: Heavily atmospheric electronic music, with euphoric tendencies and rhythm you want to move to.
Q: Which artist would you like to work with and why?
A: Thom Yorke, simply for his skill in story telling in songs.
Q: Can you share one music production tip?
A: Take breaks when you're producing; don't force anything.
Q: What type of music do you usually work on?
A: Techno, Electronic, Hiphop, Lofi
Q: What's your strongest skill?
A: Understanding sound to a degree that lets me play with it creatively.
Q: What do you bring to a song?
A: Visuals, the kind you have (and often feel) when listen to a track. If you can stimulate more than one sense in your listeners, I believe you're onto something.
Q: What's your typical work process?
A: I always have a visual idea of what the song should look like, what it's feels is, before I open Ableton. Then I get comfy, and get into the zone. It's very important for me to feel that the music writes itself when I work, depending on what genre, I would typically start keying down a rhythmic feel to the track before throwing sounds at the percussion until an atmosphere develops. At this stage I will usually take break, and return once my head is fresh.
Q: Tell us about your studio setup.
A: I work from a personal studio based in Copenhagen, mixing analog synths, recorded samples and VSTs in Ableton Live 10.1.
Q: What other musicians or music production professionals inspire you?
A: To name a few: Four Tet, Jamie xx, Bonobo, Moderat, Apparat, Thom Yorke, Ratatat
Q: Describe the most common type of work you do for your clients.
A: Most commonly I work with music production and mastering.
- Mastering EngineerAverage price - $70 per song
- Sound DesignAverage price - $100 per minute
- ProducerAverage price - $300 per song
- Ghost ProducerAverage price - $400 per song
- Post MixingAverage price - $100 per minute
- Four Tet
- Jamie xx
- Nicolas Jaar
- mellotron
- synthi
- korg minilogue
- prophet 5
- mpc
- Jupiter 8
