You dont need a million dollar music studio to get great sounds. I like to solve technical issues, troubleshoot and provide advice to help you get the best out of your gear. I provide a bit of everything...mixing, mastering, reamping, shoulder to cry on...and if you ask nice I can even provide session guitar for certain genres.
Quick overview of servcies:
1) Discussion / Initial Consultation / Project Orientation
2) Review samples of raw recordings
3) Feedbck on raw recordings and technical issues that should be resolved before mixing
4) Tracks are submitted and a rough mix is provided by me (not an official issue, so this doesnt count towards revisions)
5) Discussion / Feedback / Ideas
6) First Mix - usually takes a few days. I dont expect this to be perfect, so neither should you...it's a starting point.
7) Discussion / Feedback / Ideas
8) Second Mix - Withing a week...this should be on point.
9) Discussion / Feedback / Ideas
10) Final Mix - After this, will make 1 hour of quick final change so this, free of cost, then hourly.
Add Ons - Mastering, Reamping Guitar and bass (Single or multi-micing (including room mics, ets. We use real live Cabs, Isolation Cabs or Cab-sims), Drums (if you have a digital drum track, I can usually make these sound better with the tools I have available)
I can provide support, assistance, fix issues, give advice, for a number of things...either on an hourly basis or fixed fee for a specific project.
Can provide rhythm session guitar for a number of genres - Rock, Blues, Stoner, Doom, Grunge, etc. I have a number of the most popular amps, or can provide dry tracks for reamping, etc.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
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Interview with Lord Hugo Stiglitz
Q: What other musicians or music production professionals inspire you?
A: Billy Anderson (the Melvins, Sleep, Acid King, Orange Goblin), Joe Barresi (Kyuss), I'm a huge fan of this little band called Valley of the Sun, Ryan is a truly amazing musician...check them out!
Q: Analog or digital and why?
A: I was (still am on some fronts) a huge Analog snob...but mixing in the box is so much easier, cheaper, faster, and often better. But I'm not a fan of digital amplifier / effect simulation...but I do love Cab / mic sims...so both!?
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Do cables count?
Q: Which artist would you like to work with and why?
A: Queens of the Stone Age, or maybe I just have a man-crush on Josh Homme.
Q: Can you share one music production tip?
A: When things start to feel stressful, take a break...that emotion will bleed into the mix.
Q: What type of music do you usually work on?
A: Typically heavy rock and associated sub-genres, but have an apprecaition and capabilities to work across most...maybe not jazz.
Q: Describe the most common type of work you do for your clients.
A: I'm usually the one people call for help, out of a pinch, quick and accurate assistance to get things across the line and in the right direction.