Broey. on SoundBetter

Multi-instrumentalist with 10+ years in music production and 5+ years of freelance audio engineering experience. Can take your track from boring to brilliant with a quick turnaround time. Having no major credits allows me to keep my prices lower while still offering great quality product!

Offering mixing and mastering of beats, vocals, podcasts, etc. I've spent the last 10 years learning about music production and audio engineering because it is what I love doing. Music is my life, and I am consuming it 24/7. I am easy to work with and will not stop until the client is satisfied with their track. I am currently working on building a catalogue of works to showcase my skills, but instead you can hear some of my own music that i've mixed and mastered here: https://linktr.ee/broeybeats

Contact me through the green button above and let's get to work.

2 Reviews

Endorse Broey.

by Michael (No Mic)
I got Broey to mix a big project for me. The amount of individual tracks was too much for me to handle. On top of that I found that many of the instruments were clashing and I did not manage to get rid of the mud that that was causing. Additionally I was unable to get the individual instruments to sit in their own space in the mix.

Broey was able to achieve all of that. The tracks sounds clear, its loud, punchy, every element has the right volume and works perfectly with the other elements.

Honestly would have not expected that the track could sound this good.
by Dan L.
Broey offered a professional service while remaining affordable. I have had successful results within a short turnaround and will use him again in the future.
Dan - Pointy Features

Interview with Broey.

Q: Can you share one music production tip?
A: If it sounds good then leave it.
Q: What type of music do you usually work on?
A: I usually work with electronic music in my own personal endeavors but I have mixed everything from EDM to Hip hop and even spoken word poetry.
Q: What's your strongest skill?
A: My strongest skill is critical listening and trained ears to help identify problems and facilitate appropriate solutions within the audio.
Q: What do you bring to a song?
A: I bring my own character to a song while also keeping the client in mind. I aim to bring the body and clarity while most importantly meeting the needs of the client. At the end of the day, I work for the client and their needs are most important in the entire process.
Q: What's your typical work process?
A: My typical work process starts with critical listening of the presented audio. After analyzing and writing down notes about things that need to be immediately adjusted, I begin by making adjustments to enhance or correct audio based on my notes. Everything is on a needs basis, and no steps are taken without purpose.
Q: Tell us about your studio setup.
A: My studio setup is done 100% inside the box and runs through Kali Audio LP6 monitors and a JBL floor subwoofer. I have a large array of plugins from companies including Waves, Izotope, and Fabfilter that will help me meet any needs of the project.
Q: Describe the most common type of work you do for your clients.
A: The most common work I do for clients is mixing and mastering music and vocals. I have mixed full beats and vocals and have mixed vocals over full beats. Able to work with what I'm given.
Q: Analog or digital and why?
A: Analog because it has a certain warmth to it that is unmatched by digital. Digital also has its own great perks. There are many great plugins that try to make digital sound like analogue (and I think they do a good job at getting close) but NOTHING beats real circuitry and electronics.
Q: What's your 'promise' to your clients?
A: I PROMISE I won't stop working until they are satisfied with the product. I will do whatever I can to help you meet your needs and deliver an excellent customer service experience. I will give you all that I have in knowledge and experience in order to really nail a great quality production.
Q: What do you like most about your job?
A: I LOVE helping people and getting to hear new and unreleased music. It is so inspirational being able to hear someones art before anyone else, and also playing a hand in the final product. To me, helping people is it's own reward.
Q: What questions do you ask prospective clients?
A: Some references of music they are inspired by and want their sound like. Also their goals as an artist and what their message is trying to portray.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Don't be afraid to be honest with the engineer. It is your art their working with. If you want something to sound a certain way, then tell them that. Your creative vision comes first and foremost. Never settle for anything less than what you want for YOUR art.