Orchestra Recording Services

Q: What's your strongest skill?

A: experience

Q: Tell us about your studio setup.

A: Tube Mics: AKG C12 vintage, AKG C61 (4pieces), Telefunken 221(3pieces), Beag (clone Schoeps 221) 2pieces, ЛОМО 19а19 2pieces. Condenser Mics: Neumann u47fet vintage, Neumann u87 vintage, Neumann u87ai, Neumann u89 (5pieces) vintage, Neumann u69fet (stereo), Neumann km84 vintage, Neumann km85 (2pieces), Neumann km86 vintage, Neumann TLM170, Shure 819, AKG C414-EB (2pieces), AKG C414-EB (2pieces) silver vintage, AKG С414 vintage, AKG C414-b-uls (4pieces), DPA 4007, DPA 4011, Sennheiser MKH-40, Gefell UM70/MV692, Sanken CU-32 (4pieces). Dynamic Mics AKG d12, AKG d112, AKG D19c, AKG D25, beyerdynamic m88, beyerdynamic M201tg, Audio-Technica AE 2500, ElectroVoice RE 27, Sennheiser D 441-U(2pieces), Sennheiser D 421-II(3pieces), Sennheiser D 421 vintage, Sennheiser e 845s, Shure SM 57(2pieces), Shure beta 57, SHURE SM7B, Lanier 250 (2pieces), Sub Kick. Ribbon Mics Coles 4038 (2pieces), Октава мл17 (vintage). Audboard: Microphone Pre-Amps: AMS NEVE 1073 DP-A (2х-channel) 6pieces, Tube Tech MP 1a (2х-channel), Manley dual-mono mic pre (2х-channel), Focusrite red1 (4-x) 2pieces, millennia media hv-3d (4-channel), millennia media hv-3b (4-channel), A Designs Pacifica (2х-channel), Ampeg SVT_di/tube mic pre. DI: Avalon U5 (2pieces), Radial jdi (2pieces), Radial prodi, Eq: Manley Massive Passive_Mastering Version, SUMMIT AUDIO EQF-100, SUMMIT AUDIO dual program eq (2ch), Focusrite Red2 (2ch), A Designs HM2eq Hammer (2ch), Ams Neve 8803 (2ch), Lomo discrete graphic eq (2ch), Lomo discrete parametric eq (2ch), Dynamic Processors: AMS NEVE 33609JD 2-ch compressor / Limiter, SSL G Bus 2-ch compressor / Limiter, AL.SO DYNAX2 2-ch compressor / Limiter, Manley vari mu_Mastering Version 2-ch compressor / Limiter, Pendulum pl2 2-ch Limiter, Manley ELOP 2-ch compressor / Limiter, Langevin ELOP 2-ch compressor / Limiter, Chandler Limited LTD-2 compressor / Limiter, Summit Audio TLA_100a compressor / Limiter, Tube Tech LCA-2b 2-ch compressor / Limiter, Urei 1176LN «Black Face» compressor / Limiter (2pieces), Urei 1176LN «Silver Face» compressor / Limiter, Urei 1178 dual peak limiter, Urei La22 2-ch compressor / Limiter, Teletronix La2a compressor / Limiter, Retro Instrument 176, DBX 160SL (blue) 2-ch compressor / Limiter, SPL Transient Designer2 2-ch dynamic processor, DRAWMER 1969 Mercenary EDITION (Full Stereo Preamplifier/Compressor) 2-ch. TL Audio ivory c5021 2-ch compressor / Limiter. Converters: Apogee Big Ben (master digital clock) Apogee DA-16x, Apogee AD-16x (2pieces). monitors : Yamaha NS10m, Genelec S30D, Auratone 5c, Audio-Technica & AKG headphones. For bas-guitar: Guit amp: Diezel vh4s, Fender Dual-Showman head 85 wt, Marsh BassMan (blonde 62) 50w, Marshall jcm 800 (100w), Peavey 6505+ (all tube) 120w rms head, Vox AC30h (30w rms) all tube head, Sound City 50PLUS 50w head, Combo Fender Super Reverb (4×10), Marshall «Vintage Modern» 2266C (50wt rms). Cab: Marshall 1960 A-V (4 — 12″celesion vintage30) 280w rms, Marshall 1960 A-Х (4 — 12″greenback) 100w rms, Crate bv412rvb (4 — 12″celesion vintage30) 120w rms, Framus (4 — 12″celesion vintage30) 120w rms, ENGL 412 VS Pro Cabinet (slanted) 120w rms (2pieces). Tape delay: Klemt Echolette ng51 Bass amp: Ampeg SVT-VR (300-Watts rms), Ampeg SVT3-pro. Bass cab: MESА BOOGIE POWЕREHOUSE (4×12″ 1200 W RMS) 4 Ohm, MESА BOOGIE POWЕREHOUSE (4×10″ 600 W RMS) 4 Ohm. Guitars: Gibson LP CUSTOM (1977). Basses: MUSIC MAN Stingray (1978), rickenbacker 4003 (2005), Fender precision bass deluxe (1998). Drums : GRETSCH USA Custom (maple) bd 24/14, bd22/16, tt10/8, tt13/10, tt14/13, ft16/16; Slingerland (vintage’65) bd20/14″, tt12/8″, ft16/16″; Snears: Tama Lars Ulrich Diamond Plate Steel 14×6.5, DW colleсtor’s «bubinga» 13×7, GRETSCH USA Custom (maple) 14×5, GRETSCH USA Custom (brass) 14×5, Pearl signature series Joe Jordison 13×6,5, Ludwig Acrolite Classic Aluminum 14×5, Slingerland 14×5, Custom maple Massive 14×5. Key: MOOG Minimoog Voyager Electric Blue Edition.