I've produced several billboard charting songs in the US and Japan under both independent and established labels such as Universal Music.
Who am I?
My name is Cordaro. I am a multi-instrumentalist producer and film scorer. In 2014 I quit the practice of law and dedicated myself full time to music. Since then, I formed a cinematic pop quartet that came in fourth place on season 9 of America's Got Talent. I have produced several albums, scored films, and I'm excited to bring my skills to Soundbetter.
What you can expect from me?
If you have a song idea, send it to me. It doesn't matter if it's a temp track or a simple voice memo. I will produce it in whatever style you need. Once complete, I will submit to you a rough master as well as the stems in case you wish to have another engineer mix and master the track.
If you have a video or film that needs music, contact me and we can discuss your vision and how I can help realize it.
I also specialize in making unique cover song arrangements.
Contact me through the green button above and let's get to work.
2 Reviews
Endorse Cordaro RodriguezInterview with Cordaro Rodriguez
Q: What are you working on at the moment?
A: My music partner and I are scoring a film and putting together a catalog of library music. I'm also developing a few software instruments--one of which will be part of Spitfire Audio.
Q: What's your 'promise' to your clients?
A: My promise is to give my client a unique non-boiler-plate track...unless that's what they want. =D
Q: What questions do you ask prospective clients?
A: What's the vibe they are going for. I may also ask them to provide examples of existing songs that touch on the vibe they are going for.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Laptop, audio interface, midi keyboard, viola, microphone
Q: What was your career path? How long have you been doing this?
A: I started teaching myself piano when I was 11 years old. I studied psychology at Princeton and then law at Boston University. All the while I stayed active in music production and performance. In 2014, after a year of practicing law, I decided to do music full time. Touring, producing albums, creating sample instruments.
Q: How would you describe your style?
A: What comes out of me most is slower, deeply moving, music. I love soft pianos, live strings, pads, and some gritty but restrained bass and/or percussion. But I have created all kinds of music, from Celtic to EDM.
Q: Which artist would you like to work with and why?
A: I would love to work with Olafur Arnolds or Sleeping at Last.
Q: Can you share one music production tip?
A: To create interesting chord progressions, shy away from keeping each chord of the progressions from being the same number of beats. And try inversions and chord substitutions for variety.
Q: What type of music do you usually work on?
A: I tend to work on cinematic pop sounding music. Although, earlier in my music journey, I did a lot of Japanese pop. But I'm well-versed in other genres, including Latin, Gospel, EDM.
Q: What's your strongest skill?
A: I've a knack for creating unique non-obvious arrangements of existing songs.
Q: What do you bring to a song?
A: My nickname for several years has been Chordz. I guess it's fitting because I put a lot of emphasis in choosing the right chords for a song. I get bored of standard chord progressions. I also have a deep attraction to unique and emotional sounds. I like to blend beauty with grit, and a little sparkle.
Q: What's your typical work process?
A: When I'm sent a voice memo, temp track or existing song (in the case of covers), I start by charting the chords and creating a quick production demo of verse 2 into chorus 2 of the song. I send this to the client to see if this direction is desirable before delving further into it. That way I'm not heading in the wrong direction. Once approved, I finish the track and send it in for approval.
Q: What other musicians or music production professionals inspire you?
A: I'm inspired by Sleeping at Last, Olafur Arnolds, and Hans Zimmer.
Q: Describe the most common type of work you do for your clients.
A: Most of my work has been creating unique cover arrangements for artists. I work mostly with a cinematic pop quartet called Sons of Serendip where I arrange and produce.
I was the producer in this production
- Ghost ProducerAverage price - $500 per song
- ProducerAverage price - $150 per song
- Film ComposerAverage price - $200 per minute
- PianoAverage price - $70 per song
- String ArrangerAverage price - $70 per song
- YouTube Cover RecordingAverage price - $150 per song
- Full instrumental productionAverage price - $150 per song
Turn around time is typically 1 day from the moment I start the track. I allow unlimited revisions for up to 3 days.
- Sons of Serendip
- Sleeping At Last