White House Productions on SoundBetter

Two friends with a passion for music recording, production, mixing and beatmaking.

When certain music makes us move, both emotionally and physically, it makes us want to listen to it over and over again.
That's the goal we want to reach when making music. Wether that's achieved through a certain groove, specific chords or a color of sound... It makes no difference. When it moves you, it moves you.

Years of playing and listening to lots of music have taught us that emotion always comes first.

We love producing beats:
- 80's 'Wall of Sound' bangers with lush synths/keys and deep bass lines.
- Funky Old School Hip Hop vibes.
- Dreamy Dance tracks with Disco influences.
- Any combination of these, as long as it sounds good!

What we can help you with:
- Recording live drums
- Recording live guitar
- Mixing songs/beats
- Producing songs/beats
- Programming MIDI Instruments

Would love to hear from you. Click the contact button above to get in touch.

Credits

Reviews

Endorse White House Productions

Interview with White House Productions

Q: What's the biggest misconception about what you do?
A: That it's easy.
Q: What advice do you have for a customer looking to hire a provider like you?
A: Communicate thoroughly about what your goals are.
Q: What do you bring to a song?
A: Anything that makes us move.
Q: What other musicians or music production professionals inspire you?
A: In terms of drumming, the first 3-4 years of my self-education were dominated by John Bonham from Led Zeppelin. After that, other groove beasts came into light, like Nate Smith, Benny Greb, Steve Gadd, Steve Jordan, Ash Soan, and many more... In terms of music production and mixing, we love watching and learning from Tchad Blake, Young Guru, Andrew Scheps, etc... If only Dr. Dre would give away his secrets! ;) Besides that type of producers we also love the Nu-Disco stuff, like Daft Punk, Alan Braxe, Fred Falke, Mr. Oizo, etc... Also a huge fan of more recent artists/producers like Pomo, KAYTRANADA, Anderson Paak., Tom Misch, Jordan Rakei, and many more...
Q: Describe the most common type of work you do for your clients.
A: We met each other while being employed at Galaxy Studios in Mol, Belgium. Here we engineered a lot of orchestra recordings, while our own studio was always geared towards Rock/Pop music. Nowadays we record ourselves as musicians on other artist's songs. We also produce beats besides other artists in the studio, to write songs to.
Q: What's your 'promise' to your clients?
A: To make you smile, hopefully!
Q: Which artist would you like to work with and why?
A: Tame Impala... Genius.
Q: Tell us about your studio setup.
A: Interface: Pro Tools Carbon // Monitoring: Neumann KH310's + KH805 Sub, Avantone Active MixCubes // Digital: Mac Mini M1 // Microphones: Coles 4038s, AKG Vintage D12 & C414-XLIIs, Sennheiser MD441 & MD421s, Beyerdynamic M160, Neumann KM184s & TLM67, Shure SM7 & SM57/58s & Beta52 & Beta57. // Outboard Preamps: API 512C, Neve 1073, RND 511, SSL VHD, Chandler TG2. // Outboard Compressors: UBK Fatso, API 2500, DBX 560A, Standard Audio Level-Or. // Outboard EQ's: Kush Audio Electra. // Guitar Pedals: MXR, EHX, Boss, Earthquaker Devices, Death by Audio, ... Plugins: Softube, McDSP, SoundToys, D16 Group, FabFilter, Sonnox, Brainworx, ... // Virtual Instruments: Arturia Collection, Machine 2, Battery 4, Kontakt, Output, Addictive Drums, TAL, u-He Diva, ...
Q: Analog or digital and why?
A: Whatever floats your boat. Both can sound great!
Q: What questions do you ask prospective clients?
A: What kind of music they like.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Shure SM57, MacBook Pro, Avantone MixCube, Sony MDR-7506 headphones, UBK Fatso
Q: How would you describe your style?
A: A mixture of smooth 80's Soul vibes, 90's Hip Hop grooves and 00's Nu-Disco loops! But in truth, if it makes me move, it's all good.
Q: Can you share one music production tip?
A: Get a comfy chair!
Q: What do you like most about your job?
A: The feeling you get when you hit a certain combination of groove and sound that makes you wanna bounce. 'The sweet spot', as they say.