The new studio is located in an old mill, built in the late ‘800 and renovated “ad hoc” to provide a multi-service to musicians, sound engineers and music professionals. From a technical point of view the studio is equipped with the best technologies, from SSL 4000 G+ mixing console.
The new studio is located in an old mill, built in the late ‘800 and renovated “ad hoc” to provide a multi-service to musicians, sound engineers and music professionals.
The structure has been acoustically designed and certified to create the best working conditions (control room with a flat response, floating floor, music room treated and sound proofed with variable acoustics, etc.). Drum Code Studio is also equipped with a kitchen, a large terrace and a comfortable bedroom for guests who wish to stop at the end of working sessions.
From a technical point of view the studio is equipped with the best technologies, from SSL 4000 G+ mixing console to a wide range of microphones to satisfy the most extreme requirements of artists and producers, plus a large outboard rack with the best audio processing machines and the magnificents DYNAUDIO AIR 25 proved the best choice in terms of quality and response.
This makes the Drum Code Studio a confidential and enviroment, hospitable and pleasant but, at the same time , equipped with everything you need for recording, editing and mixing your musical project.
Tell me about your project and how I can help, through the 'Contact' button above.
Interview with Drum Code Studio
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: Mina Fossati (2019)
Q: What are you working on at the moment?
A: Many clients
Q: Analog or digital and why?
A: Hybrid
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Maselec Equalizer, API 512, NEVE 1073, Distressor
Q: What was your career path? How long have you been doing this?
A: more than 15 years
Q: Can you share one music production tip?
A: Study and create!
Q: What type of music do you usually work on?
A: Pop, Rock, blues
Q: What's your strongest skill?
A: Recording and mix
Q: What's your typical work process?
A: Recording
Q: Tell us about your studio setup.
A: Neve V.rack preamp (n°4 units), AeA RPQ stereo ribbon preamp, Amek 9098 by Rupert Neve Mic PreampEQ (n°2 units), API 512 C preamp (n°8 units), Audio&Design Vocal Stresser , Avalon 737, Neve 1073 (n°2 units), Focusrite Isa 220 (n°2 units), Manley Vox Box, UniversalAudio LA610 (n°2 units), Brent Averill Neve, 1073 preamp (n°2 units) , Summit Audio TPA200B, Chandler Mk I (n°2 units), Ampex vintage preamp. (n°2 units) ,DI: Avalon U5, Simon System RDB 400, Universal Audio Solo 110, Radial…
Q: Describe the most common type of work you do for your clients.
A: Recording, edting, mix and Mastering
- Mixing EngineerAverage price - $100 per song
- Mastering EngineerAverage price - $30 per song
- EditingAverage price - $30 per track
- Recording StudioAverage price - $300 per day
- Time alignment - QuantizingAverage price - $30 per track
- Vocal compingAverage price - $30 per track
- Vocal TuningAverage price - $30 per track
Every project have your time! We can speak about revisions, version etc.
- SSL 4000 G+
- API
- Amek
- Maselec
- Chandler
- Distressor
- Phoenix
- etc
