I make beats and produce music. My goal is to reach the best possible result, every time.
Contact me through the green button above and let's get to work.
Interview with Jimmy Amatngali
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: In 2008, I made music for a gymnastic from Egypt and she went to the Olympic Games with it. The proces was incredible because the arrangement of the song and building the floor routine went hand-in-hand. Every move she made on the floor was in different ways supported by the music and vice versa.
Q: What are you working on at the moment?
A: Beats and full productions
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Not yet but I hope to meet a lot of mindlike people via this platform!
Q: Analog or digital and why?
A: Digital all the way. Why? Because it gives me way more possibilities then analog.
Q: What's your 'promise' to your clients?
A: No cure no pay. I only want satisfied clients. If my client is not happy with the result, it's not my client.
Q: What do you like most about your job?
A: I love putting my emotions in music. It's my world and I can make/bend/break all the rules.
Q: What questions do customers most commonly ask you? What's your answer?
A: Can you make this type of beat/music? Answer: yes!
Q: What's the biggest misconception about what you do?
A: That it doesn't take a lot of time or energy. For years, I've put a lot of time and energy into learning my craft and style.
Q: What questions do you ask prospective clients?
A: What do you want to feel when you hear the final song? Do you want me to experiment or use a known formula?
Q: What advice do you have for a customer looking to hire a provider like you?
A: Be totally open with me, I can handle all forms of criticism. I think this is super important since I want to satisfy my customers as much a possible.
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: Laptop, keyboard, soundcard, headphones and Subpac. It's actually all I need ;-)
Q: What was your career path? How long have you been doing this?
A: I've been making music since I was a kid. Then I started up saving for my studio gear and learned how to design all the sounds I have in my head. My music has been all around the world with the Olympic games of 2008 as my biggest achievement.
Q: How would you describe your style?
A: Filthy and hard. This is what I love the most, but I can also ease on down to clean and soft.
Q: Which artist would you like to work with and why?
A: Tech N9ne: he's always on top with his flow and lyrics and not scared to experiment with both lyrics and music.
Q: Can you share one music production tip?
A: Everything is possible, don't be a copy, be yourself and do what you think is needed to reach the result/emotion you need in a song
Q: What type of music do you usually work on?
A: Trap and Hardcore Techno
Q: What's your strongest skill?
A: Sound design
Q: What do you bring to a song?
A: Emotion. For me, it's all about emotion.
Q: What's your typical work process?
A: Set up scale - design drums in that scale - freestyle with different (virtual) instruments or design sounds (depending on what genre I'm working)
Q: Tell us about your studio setup.
A: Cubase with lots of software, NI S88 keyboard, Presonus AudioBox 1818VSL, Adam F5 + SubF speakers, Beyerdynamic DT770 Pro and AKG K702 headphones, combined with Subpac S2.
Q: What other musicians or music production professionals inspire you?
A: Tech N9ne, Michael Jackson, Outkast, Anderson .Paak, Agnes Obel, The Outside Agency
Q: Describe the most common type of work you do for your clients.
A: Beat creating, sound design and full track productions
- Beat MakerAverage price - $400 per song
- Full instrumental productionAverage price - $400 per song
- ProducerAverage price - $400 per song
- Ghost ProducerAverage price - $500 per song
- Game AudioAverage price - $500 per day
- Programmed drumAverage price - $70 per song
- Podcast Editing & MasteringAverage price - $100 per podcast
Revisions: 5% of total price per revision. Half of total price must be paid before the first revision
- Cubase
- Serum and lots of other software