Engineer for Sego, New Electric Sound, Emily Brown, Sen Wisher, Bikini Sleepover and many more.
My goal is to make exceptional mixes affordable to artists at every level. I've been mixing singer/songwriters and indie artists for over a decade. Whether you're a self-recording artist looking for a professional sound or a band making your loudest record to date, I've got you covered at low prices. My average mix is $200/song, master $40/song.
Send me a note through the contact button above.
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Interview with Lindenfield Studio
Q: Which artist would you like to work with and why?
A: Radiohead. They're always at the forefront of music and tech. I would just be absorbing everything I could learn from them.
Q: Can you share one music production tip?
A: It doesn't matter what your session/plugins/faders look like. Everything can look right on your screen and sound awful out of your speakers. Move knobs until you get the sound you want, don't worry about how things look.
Q: What type of music do you usually work on?
A: Mostly indie rock, folk, punk, and singer/songwriter but I've mixed hip-hop, metal, and pop too.
Q: What's your strongest skill?
A: Creating fun, living mixes.
Q: What do you bring to a song?
A: My audio memory of every song I've ever heard helps me hone in on sounds quickly without getting in the way of the song.
Q: What's your typical work process?
A: I listen to the raw track and any mix drafts I'm given. Then I mix in order of priority of tracks. Usually, that means I start with the lead vocal then get the rhythm section sounding great. Then I move on to all the candy and environmental elements that float around the core of the track. Once I'm close on a mix, I send it to the client for any notes and we finish within 3 rounds of emails.
Q: Tell us about your studio setup.
A: I use an iMac with Pro Tools, Logic and Ableton. I listen on some white coned Yamahas (not NS-10s but similar vibe) with a sub to get the low extension. Universal Audio Apollo. Plugins from all the major companies. Lots of unique pedals that I push audio through.
Q: What other musicians or music production professionals inspire you?
A: I'm always floored by Kendrick Lamar, Radiohead, Solange, Dirty Projectors, and Grizzly Bear.
Q: Describe the most common type of work you do for your clients.
A: Mix multitrack sessions, elevating the record always with the core of the song in mind. I don't believe in static mixes. I love creating several different spaces within one track to keep the listener interested.