Trusting me with your work is a great honor, and I use every tool available to me to make sure your music stands up to other hits you're hearing today. When I accept a job, I commit myself to making sure your music sounds as sonically pleasing as possible.
I have over 10 years of experience working with audio, specializing in electronic music with progressive-pop flare. Before beginning my work as a mix engineer, I ran the gamut like many other young artists playing shows in college and DJ'ing at clubs around Washington, DC including the #1 club in the US, Echostage.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Interview with Dan Ginolfi
Q: What was your career path? How long have you been doing this?
A: 10 years
Q: Tell us about your studio setup.
A: Focal 65, UAD, SoundToys, Fab-Filter, Waves
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A mouse and headphones
Q: Can you share one music production tip?
A: Use reference mixes.
Q: What do you bring to a song?
A: Color, clarity, and signal purity. Your mix will sound as good on your phone as it will in the club.
Q: Describe the most common type of work you do for your clients.
A: Mixing & Mastering
- Mixing EngineerAverage price - $250 per song
- EditingAverage price - $50 per track
- Podcast Editing & MasteringAverage price - $100 per podcast
- Eric Prydz
- The Band CAMINO
- Pretty Lights
- Universal Audio
- Waves Platinum
- Fab Filter
- Soundtoys
- Ableton Live
