I am passionately trained in the golden age of analog audio, and equally passionate about twenty-first century high quality digital audio. I use that training, my vast experience, and state-of-the-art digital tools to create record quality mixes on a demo budget. I can also lovingly transfer, archive and restore your analog treasures

I have mixed records for multi-platinum selling producers, including; Allen Toussaint (LaBelle, Dr. John, Elvis Costello, R&R Hall Of Fame Inductee), Michael Lloyd (Dirty Dancing, Barry Manilow), Jimmy Ienner (Dirty Dancing, Kiss), and Ron Aniello (Lifehouse, Bruce Springsteen)

I have mixed records for various artists, including Elvis Costello, Kimberley Locke, Natalie Grant, Barry Manilow, Steve Holy, Lifehouse, Clint Black, Lou Rawls, Woody Guthrie, Jim Brickman, Dr. John, Brian Wilson, and Megadeth

I archive and restore analog masters for clients as varied as Curb Records, Classic artist Johnny Tillotson, The Hollywood Bowl and record producer Michael Lloyd (The Osmonds, Dirty Dancing, Shaun Cassidy, etc.).

I record, mix, and edit audio for film and television projects for companies, including Miramax, FX Network, Paramount, Warner Brothers, ABC, TNT, NBC, Viacom, USA Network, and Walt Disney Imagineering

My credits include

AllMusic verified credits for Bob Kearney:

  • Barry Manilow
  • Mike Curb Congregation
  • Mike Curb Congregation
  • Barry Manilow
  • Holy Ghost Receptive Committee #9
  • Holy Ghost Receptive Committee #9
  • Natalie Grant
  • Natalie Grant
  • Loudest Whisper
  • Loudest Whisper
  • Loudest Whisper
  • Natalie Grant
  • Barry Manilow
  • The Spirit Of Christmas
  • The Spirit Of Christmas
  • Mike Curb Congregation
  • Mike Curb Congregation
  • Kimberley Locke
  • Barry Manilow
  • Steve Holy
  • Steve Holy
  • Steve Holy
  • Johnny Tillotson
  • Mike Curb Congregation
  • Mike Curb Congregation
  • Mike Curb Congregation
  • deSol
  • deSol
  • T.G. Sheppard
  • T.G. Sheppard
  • Michael English
  • Michael English
  • Natalie Grant
  • Hal Ketchum
  • Hal Ketchum
  • Tamara Walker
  • Tamara Walker
  • The Hellecasters
  • Shannon McNally
  • Conrad Pope
  • John Jorgenson
  • Kendall Payne
  • Kendall Payne
  • David Polk
  • David Polk
  • Woody Guthrie
  • Benny Mardones
  • Benny Mardones
  • Benny Mardones
  • The Osmonds
  • Keith Brown
  • Keith Brown
  • Tony Orlando
  • Tony Orlando
  • Merry Clayton
  • Merry Clayton
  • Lou Rawls
  • Lou Rawls
  • The Hellecasters
  • George Burns
  • Bobby Vinton
  • Wilkins
  • Wilkins
  • Colortone
  • Kimberley Locke
  • Kimberly Locke
  • Kimberley Locke
  • Kimberly Locke

Gear highlights

  • Mixing/Editing/Archiving space in-house featuring; Pro Tools
  • BLA modded interface w/ Euphonix controller
  • more than enough plug-ins
  • 3M 1/4 inch two track with Dolby A
  • Otari 1/2 inch four track
  • etc.

Genres I specialize in

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Interview with Osceola Audio Services

Analog or digital and why?
Depends on the situation and budget requirements. I use both.
What advice do you have for a customer looking to hire a provider like you?
Listen to my work. Look me (or anyone else) up on the internet. The truth is out there.
What was your career path? How long have you been doing this?
Twenty-five years
What type of music do you usually work on?
Music that involves real musicians for records, movies, & TV
Tell us about your studio setup.
A big Mac, Pro-Tools, A Black Lion Audio modified Avid interface for pristine D/A, Avid Mix Controller, Waves Platinum, API, Kramer Tubes, Sound Toys, Altiverb, and much more. 3M M23 1/2 track w/Dolby A, Otari 1/2" four track for archiving, or to mix to for an authentic tape sound!
Describe the most common type of work you do for your clients.
Online mixes for Records, TV and Film Soundtracks. Archiving and Restoring Analog Masters. Tracking and mixing of live bands