Mixing and Mastering

Q: Which artist would you like to work with and why?

A: Josh Groban. I like the emotion in his voice.

Q: Analog or digital and why?

A: Both. Each one has its own gain.

Q: What do you like most about your job?

A: To be creative.

Q: What advice do you have for a customer looking to hire a provider like you?

A: Try to see if the engineer is getting you the best sound of your music and go with him on your projects.

Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?

A: Audio gear, think I would take with me a pair of good speakers, headphones, a laptop with tons of good music, a microphone and a soundcard. I would definitely need a solar panel for all this :))

Q: What was your career path? How long have you been doing this?

A: I'm doing live sound since I was 14. That was in the middle nineties. I was trying to accomplish in live sound, the FX and the sound that I heard on great records and it was quite hard to even get close to some of them. After 2000 I started to record live performances on a laptop on a stereo channel. After 2005 I started to do multitrack recordings and started mixing in a DAW. In 2011 I met a producer that showed me how to really mix and master. Since then I kept studying more and more in this area.

Q: How would you describe your style?

A: Somewhere between Pop, Classical and Jazz music

Q: Can you share one music production tip?

A: Record at the highest level(quality) possible

Q: What type of music do you usually work on?

A: Pop, classical

Q: What's your strongest skill?

A: Patience :)

Q: What do you bring to a song?

A: I try to balance the song and add depth and width and after rise up the loudness at a point where the dynamics are not smashed and the song can breathe.

Q: What's your typical work process?

A: Usually it's cleaning/editing/restoration > mixing > mastering

Q: Tell us about your studio setup.

A: I go somehow hybrid, ITB with analog summing. Signal chain is Antelope Orion Studio 2017 D/A conversion going into Audient Sumo on 8 stereo groups. After summing, D/A is made in the Audient, it has an very good AKM converter and then I return into the Antelope Orion on S/PDIF and print.

Q: What other musicians or music production professionals inspire you?

A: Al Schmitt, Jack Joseph Puig, Humberto Gatica, David Foster, Igor Krutoy, etc...

Q: Describe the most common type of work you do for your clients.

A: I mostly do mastering. There are times I do mixing and mastering and sometimes I do even recording and editing.