Multiinstrumental Audio Engineer, Composer and Music Producer in search of creative challenges with interesting people.
Born 1995, I started my musical journey in 2001.
Since that time, I studied violin and guitar at music schools and trained myself playing drums and bass. Recently, I am taking lessons in playing piano from a former répétiteur of the P.-I.-Tschaikowski conservatory in Moscow.
I am mixing since 2012 and topping that up with a B.A. Audio Engineering (finishing 2021).
My local field of work contains giving lessons in playing guitar, music theory and music production, doing studio- and live-mixing. Also DJing, if I got time.
On this platform I want to offer:
- mixing and mastering of your songs, EPs and albums
- consulting for your songs and beats either from a musical-theoretical or sound-design-technical standpoint
- overall helping you on your musical journey no matter at which point you are right now
I am building a new studio right now, so I can offer custom recordings and "samples on demand".
DM me right away, if you want to have more information about recordings.
In relation to genres, I have a wide range experience. My most favourite ones are Rock, Funk, D'n'B, House and Synthwave. With my classical training I also have experience in Soundtrack, orchestral classical music and scoring to picture.
I live by the motto: "Learn something new every day!" which means, that no matter what subject you offer me, i am eager to dig into it, so don't be shy to ask.
I'd love to hear about your project. Click the 'Contact' button above to get in touch.
Interview with Zima Løre
Q: If you were on a desert island and could take just 5 pieces of gear, what would they be?
A: A classical guitar, a fieldrecorder and headphones. If I decide to go to an island where nobody finds me, I only have to entertain myself.
Q: Tell us about a project you worked on you are especially proud of and why. What was your role?
A: I once had my first live mixing job at a grand hall over 2 days with several bands and artists. I was in charge as the leading audio engineer and foh-mixer. Back then, this was way out of my comfort zone, so I had to learn very quickly. It was the first time I had to be in charge of everything and in the end it worked out perfectly. This was the biggest confidence boost in my career so far. Hard work and healthy confidence pays off!
Q: What are you working on at the moment?
A: I am working on a soundtrack right now, but the purpose is a secret ;)
Q: What do you like most about your job?
A: I love to work and communicate with people to create art.
Q: Which artist would you like to work with and why?
A: My dream would be to have a chat with Hans Zimmer, because he was the reason I started to take music seriously.
Q: Can you share one music production tip?
A: Learn something new everyday to avoid stagnation!
Q: What type of music do you usually work on?
A: I have a very open minded approach to music and genres. From classic to vintage to modern: I work on everything that sounds good.
Q: What's your strongest skill?
A: I am an empathetic person. Everybody expresses his emotions trough the music and I try to feel into that and make it sound.
Q: What do you bring to a song?
A: First of all, customer is king. Therefor I aim for the best product that I can deliver regarding to the clients wishes. On top of that, I like to keep an open conversation about ideas that come up in the process. On the one hand I love to go beyond conventional approaches, but on the other hand I have a good feeling for when things get too crazy.
Q: Tell us about your studio setup.
A: I have a small electronic production studio, that also has enough space for recording vocals and various solo instruments. I usually work all digital.
Q: What other musicians or music production professionals inspire you?
A: My main influences come from Hans Zimmer, Matthew Bellamy and Eric Satie on the musical side. On the technical side, I met a lot of great mixers and engineers, who shaped my point of view and laid the foundation for my skill set. I can‘t really tell, who is the best :)
Q: Describe the most common type of work you do for your clients.
A: Most of the time my clients come to me, when they need to do the next step on their songs. This starts from rough ideas, which i work out with them (theory, sounddesign and storytelling) and goes to mastering their already mixed songs.
- Mixing EngineerAverage price - $300 per song
- Mastering EngineerAverage price - $90 per song
- ProducerContact for pricing
- Podcast Editing & MasteringAverage price - $100 per podcast
depending on schedule, I work in my Studio 30 hours per week on business days - contact me any day of the week, I will try to answer in less than 3 hours - DM me to get information about open slots