Hello, I'm Clint and I assist in moving musical visions forward. I've been playing music since I was a kid and have been mixing since 2008. The best music is music that is real and honest.
When recording and/or mixing a record my priority is to understand the artist's vision, come along side them and accomplish it. When recording I like to start with the best possible source and best technique for capturing it. I like mixes to have energy and dynamics that keep a listeners attention. My highest priority throughout the process is to keep the artist's intentions at the forefront of the production as well as make them feel comfortable throughout the process. I am here to assist artists in moving forward and finalizing the art that they have created.
Send me an email through 'Contact' button above and I'll get back to you asap.
Interview with Clint Sprunger
Q: Describe the most common type of work you do for your clients.
A: Mixing and mastering services. I have experience with producing and providing insight to what a song may need or not need and would be open to more work within that service area. I also have experience in recording engineering and greatly enjoy capturing musical moments as they happen.
Q: What's your 'promise' to your clients?
A: I'm here to keep your vision and intent at the forefront of the mix. I can be as involved creatively as much or as little as you would like. I want to ensure that you are happy with the final product and end up with something that you are proud of.
Q: What was your career path? How long have you been doing this?
A: I have been working with audio since 2008 in the live sound environment and continue to practice that skill 1-2 times a week through volunteering at my church. I started mixing in the studio environment in 2009 and majored in audio production in college. From learning the basics/theories I have found that the best way to get better is to continually educate and work in the field.
Q: What's your typical work process?
A: Before opening a session I like to hear a demo of the track(s) and understand the vision of the artist and what they want to accomplish. A reference is helpful but thinking that the track will sound just like it is a tall order. I like to start mixing with a clean and organized session file. Knowing where things are and what is what is extremely important. From there I like to get a rough mix going, establish the focal point of the track and then build the other elements to support the focal point.
Q: Analog or digital and why?
A: Hybrid, real knobs and faders provide psychological voodoo "feel" and digital gives organization and easy recall.
Q: What do you like most about your job?
A: I greatly enjoy hearing a bunch of individual tracks work together to create a complete work where each of the tracks play a specific and necessary role.
I was the live recording engineer and mixing engineer in this production
- Mixing EngineerAverage price - $150 per song
- Recording StudioAverage price - $300 per day
- Live drum trackAverage price - $150 per song
- Live SoundAverage price - $400 per concert
Revisions: 3 per track
Turn Around: 5 business days for mixing.
Additional Revisions: $25 per revision
Producing: Quoted upon request
Engineering: Quoted upon request
