I'm a real professional musician and I'll do the best for your needs.
I'm a 32 years old musician, with 14 years of work experience in music.
For years I worked as a live and studio session guitarist, playing electric, acoustic and classical guitars. My roots are in rock music; during the years, I explored and assimilated from almost any musical genre, especially pop, folk, blues, black, ethnic. From jazz I learned harmony; from classical and cinema, orchestration.
I also achieved two diplomas, in Pop-Rock Guitar and Jazz Guitar, and a master in Pop-Rock Composition in Conservatory of Milan.
In the last years I focused my attention on film music composition.
I can produce for your needs music for: movies, commercials, documentaries, or any kind picture or installation. That includes: composition, arrangement, live playing and recording, mix, master.
Send me an email through 'Contact' button above and I'll get back to you asap.
2 ReviewsEndorse Vincenzo Angrisani
Interview with Vincenzo Angrisani
Q: What are you working on at the moment?
A: At the moment I'm working on a few commercials adv.
Q: Is there anyone on SoundBetter you know and would recommend to your clients?
A: Definetely: my friend and partner Giampaolo Pasquile, based between London and Rome, is a master of production and in particular of mixing and mastering; I often rely on him for my works and I can involve him in the job for my clients who ask for a higher step for the final sound quality.
Q: Analog or digital and why?
A: A mix but with a strong weakness for analog. It reflects and expresses the human nature, imperfect, unpredictable; on the other hand, digital reflects the modern contest of our world. Our life is actually a mix of these two sides.
Q: What's your 'promise' to your clients?
A: Professionalims, punctuality, detail care, passion, respect for the need.
Q: What do you like most about your job?
A: Be a musician is a real luck: it's not only an enjoyable job - sometimes it can be hard and sleep-taking more than many others : it's a continuous search inside yourself and about yourself.
Q: What's the biggest misconception about what you do?
A: I guess one of the most misconceptions about producers is that you just need to be able with softwares and programming to do this job; maybe this could be true for some kind of results and musics, but there's only one way to generate some kind of feelings into the listener... deeply knowing music. Ask it to John Williams!
Q: What questions do you ask prospective clients?
A: I use to ask musical references for the contribution desired and delivery time needed.
Q: What advice do you have for a customer looking to hire a provider like you?
A: I concluded that rules don't exist at all; only choices, feelings, and visions do. So my advice is: don't follow any prejudice or external reference in searching your collaborators: just follow your taste.
Q: How would you describe your style?
A: I search for intensity in every sound, and in every silence. Every element must be necessary, and deep, must tell a story, or it'll be useless or even disturbing. Sometimes rests tell more than sounds.
Q: What's your strongest skill?
A: I say two: perfectionism and good musical taste. And adding to productions a "live" and "real" flavour playing guitars by myself, taking advantage of my guitarist experience.
Q: What do you bring to a song?
A: The correct question should be what do I bring to a picture, and the answer is easy: my sensitiveness and my taste.
Q: Tell us about your studio setup.
A: My home-studio is my "toys room", where I like to mix the acoustic experience with the digital one to find inspiration: I got at hand all my instruments, electric, acoustic and classical guitars, pianos, pads and softwares and create is just like a game.
Q: What other musicians or music production professionals inspire you?
A: My reference points as a film scorer are attributable to the works of Ennio Morricone, Luis Bacalov, Hans Zimmer, John Williams, Thomas Newman, Giancarlo Bigazzi, Piero Piccioni; in pop and jazz music, my strongest influences come from Pino Daniele, Lucio Dalla, Pat Metheny, Queen, John Mayer, Coldplay, Eddie Vedder, Joseph Arthur, Robin Schulz, Bon Iver.
Q: Describe the most common type of work you do for your clients.
A: In recent times, I used to compose for different kind of films: from short 30/60 seconds commercials, to short films, or documentaries. Prevoiusly, I worked for several years as a pop producer and guitar player; occasionally I still do it.